Political fiction; Russia -- History -- 1801-1917 -- Fiction; Russia -- Officials and employees -- Fiction
With the ant-heap the respectable race of ants began and with the
ant-heap they will probably end, which does the greatest credit to
their perseverance and good sense. But man is a frivolous and
incongruous creature, and perhaps, like a chess player, loves the
process of the game, not the end of it. And who knows (there is no
saying with certainty), perhaps the only goal on earth to which mankind
is striving lies in this incessant process of attaining, in other
words, in life itself, and not in the thing to be attained, which must
always be expressed as a formula, as positive as twice two makes four,
and such positiveness is not life, gentlemen, but is the beginning of
death. Anyway, man has always been afraid of this mathematical
certainty, and I am afraid of it now. Granted that man does nothing but
seek that mathematical certainty, he traverses oceans, sacrifices his
life in the quest, but to succeed, really to find it, dreads, I assure
you. He feels that when he has found it there will be nothing for him
to look for. When workmen have finished their work they do at least
receive their pay, they go to the tavern, then they are taken to the
police-station—and there is occupation for a week. But where can man
go? Anyway, one can observe a certain awkwardness about him when he has
attained such objects. He loves the process of attaining, but does not
quite like to have attained, and that, of course, is very absurd. In
fact, man is a comical creature; there seems to be a kind of jest in it
all. But yet mathematical certainty is after all, something
insufferable. Twice two makes four seems to me simply a piece of
insolence. Twice two makes four is a pert coxcomb who stands with arms
akimbo barring your path and spitting. I admit that twice two makes
four is an excellent thing, but if we are to give everything its due,
twice two makes five is sometimes a very charming thing too.
Public-domain text, read in full here on John Shaqi.
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