The soul of the founder of the Jesuits was, therefore, strikingly
accordant with the revelation of his physiognomy; although, were it
true, that he was—in the vulgar sense—a Jesuit, the Greek Nose and
generally a more delicate caste of countenance, would more correctly
have pourtrayed his inner man.
But the founder of the Jesuits was no Jesuit, and had his original
_Constitutions_ been adhered to, the Order would never have achieved the
bad eminence which it so rapidly attained, so long held, so quickly
lost, and so tenaciously still aspires after.
As by far the majority of persons have compound Noses, and as their
consideration will therefore throw additional light upon the system, we
shall add a few observations upon some of them.
The Roman Nose may be compounded with Classes II and III, rarely with
IV; seldom or never with V and VI.[11]
Compound I⁄II,—the Romano-Greek Nose.[12]
The following are instances of Noses of this sub-class:—
Alexander the Great.
Constantine.
Wolsey.
Richelieu.
Ximenes.
Lorenzo de’ Medici.
Frederick II. of Prussia.
Alfred.
Sir W. Raleigh.
Sir P. Sidney.
Napoleon.
Associated with much physical energy (I), these persons all exhibited
much refinement of mind, a love for Arts and Letters, considerable
astuteness and capacity of scheming; (II) they saw far and quickly,
though deficient in deep philosophical powers of thought.
A rather more extended notice of some of the members of the sub-classes
will be requisite; as, of course, their characters were less developed,
and therefore less known, than those of the pure classes; but
principally in order to point out the more minute touches, and,
apparently, inconsistencies of character which illustrate the compound
form of Nose.
[Illustration:
CONSTANTINE.
(_From a gem in the Florentine Museum._)
]
CONSTANTINE, having by a felicitous union of enterprise and cunning
procured his elevation to the Imperial throne, and having defeated the
last of his rivals to that splendid dignity, directed his attention to
the concentration rather than the extension of his enormous empire, and
sought, by building Constantinople, to divert the minds of the people
from foreign war and intestine discord; while he at the same time
fostered and encouraged the arts by the magnificent decoration of the
new capital, to which he brought from Asia and Greece some of their most
splendid productions.
Public-domain text, read in full here on John Shaqi.
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