Notes on Novelists, with Some Other NotesJames, Henry
History
Notes on Novelists, with Some Other Notes
James, Henry
Fiction -- History and criticism; Novelists
The great difficulty was that, though they were sublime, the couple were
really not serious. But on the other hand if on a lady’s part in such a
relation the want of sincerity or of constancy is a grave reproach the
matter is a good deal modified when the lady, as I have mentioned,
happens to be—I may not go so far as to say a gentleman. That George
Sand just fell short of this character was the greatest difficulty of
all; because if a woman, in a love affair, may be—for all she is to
gain or to lose—what she likes, there is only one thing that, to carry
it off with any degree of credit, a man may be. Madame Sand forgot this
on the day she published “Elle et Lui”; she forgot it again more gravely
when she bequeathed to the great snickering public these present shreds
and relics of unutterably personal things. The aberration refers itself
to the strange lapses of still other occasions—notably to the
extraordinary absence of scruples with which she in the delightful
“Histoire de ma Vie” gives away, as we say, the character of her
remarkable mother. The picture is admirable for vividness, for breadth
of touch; it would be perfect from any hand not a daughter’s, and we ask
ourselves wonderingly how through all the years, to make her capable of
it, a long perversion must have worked and the filial fibre—or rather
the general flower of sensibility—have been battered. Not this
particular anomaly, however, but many another, yields to the reflection
that as just after her death a very perceptive person who had known her
well put it to the author of these remarks, she was a woman quite by
accident. Her immense plausibility was almost the only sign of her sex.
She needed always to prove that she had been in the right; as how indeed
could a person fail to who, thanks to the special equipment I have
named, might prove it so brilliantly? It is not too much to say of her
gift of expression—and I have already in effect said so—that from
beginning to end it floated her over the real as a high tide floats a
ship over the bar. She was never left awkwardly straddling on the
sandbank of fact.
Public-domain text, read in full here on John Shaqi.
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