Notes on Novelists, with Some Other NotesJames, Henry
History
Notes on Novelists, with Some Other Notes
James, Henry
Fiction -- History and criticism; Novelists
by the purveyors of the English-speaking stage only to prove fatal to
them. If the history of so mean a traffic as the one here glanced at
were worth writing it would throw light on some odd conceptions of the
delicacy in the abused name of which it was carried on. It is all to the
honour of our author’s seriousness that he was, in such conditions, so
unmanageable; though one must of course hasten to add that this
seriousness was not the only reason of it. There were several others,
not undiscoverable, and the effect of the whole combination was, in view
of the brilliant fortune of his productions at home and the eager
foraging of English and American speculators, to place him on a footing
all his own. He was of active interest among us only to individual
observers—simply as one of the most devoted of whom I trace these few
pages of commemoration.
It takes some analysis, yet is not impossible, to explain why among the
men of his time to whom the creative gift had been granted his image,
for sundry such admirers, always presented him as somehow the happiest
consciousness. They were perhaps not always aware of it, but now that he
is gone they have a revelation of the place he occupied in the envious
mind. This envy flowed doubtless, to begin with, from the sense of his
extraordinarily firm grasp of his hard refractory art; the grasp that
had put him into possession of it without fumblings or gropings made him
canter away on the back of it the moment he had touched the stirrup. He
had the air through all his career of a man riding a dangerous horse
without ever being thrown. Every one else had a fall—he alone never
really quitted the saddle, never produced a play that was not to stay to
be revived and in the case of his comparative failures enjoy some sort
of revenge, even to that of travelling in the repertory of great
actresses round the globe. Such travels, moreover, much as they may
please his shade, are far from having been the only felicities of his
long career. The others strike me as so numerous that I scarcely indeed
know where to begin to reckon them. Greatly even if oddly auspicious for
instance was just his stark son-ship to his prodigious father, his
having been launched with that momentum into the particular world in
which he was to live. It was a privilege to make up for the legal
irregularity attaching to his birth; we think of it really almost to
wonder that it didn’t lift him on a still higher wave. His limitations,
which one encounters with a sort of violence, were not to be overlooked;
it expresses them in some degree to say that he was bricked up in his
hard Parisianism, but it is also incontestable that some of them were
much concerned in producing his firm and easy equilibrium. We
understand, however, the trap they set for him when we reflect that a
certain omniscience, a great breadth of horizon, may well have seemed to
him to be transmitted, in his blood, from such a boundless fountain of
life.
Public-domain text, read in full here on John Shaqi.
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