Notes on Novelists, with Some Other NotesJames, Henry
History
Notes on Novelists, with Some Other Notes
James, Henry
Fiction -- History and criticism; Novelists
The circumstances leading to this climax were primarily his marriage to
Pompilia, some years before, in Rome—she being then but in her
thirteenth year—under the impression, fostered in him by the elder
pair, that she was their own child and on this head heiress to moneys
settled on them from of old in the event of their having a child. They
had in fact had none, and had, in substitution, invented, so to speak,
Pompilia, the luckless base-born baby of a woman of lamentable character
easily induced to part with her for cash. They bring up the hapless
creature as their daughter, and as their daughter they marry her, in
Rome, to the middle-aged and impecunious Count Guido, a rapacious and
unscrupulous fortune-seeker by whose superior social position, as we
say, dreadfully _decaduto_ though he be, they are dazzled out of all
circumspection. The girl, innocent, ignorant, bewildered, scared and
purely passive, is taken home by her husband to Arezzo, where she is at
first attended by Pietro and Violante and where the direst
disappointment await the three. Count Guido proves the basest of men and
his home a place of terror and of torture, from which at the age of
seventeen, and shortly prior to her giving birth to an heir to the
house, such as it is, she is rescued by a pitying witness of her misery,
Canon Caponsacchi, a man of the world and adorning it, yet in holy
orders, as men of the world in Italy might then be, who clandestinely
helps her, at peril of both their lives, back to Rome, and of whom it is
attested that he has had no other relation with her but this of
distinguished and all-disinterested friend in need. The pretended
parents have at an early stage thrown up their benighted game, fleeing
from the rigour of their dupe’s domestic rule, disclosing to him
vindictively the part they have played and the consequent failure of any
profit to him through his wife, and leaving him in turn to wreak his
spite, which has become infernal, on the wretched Pompilia. He pursues
her to Rome, on her eventual flight, and overtakes her, with her
companion, just outside the gates; but having, by the aid of the local
powers, reachieved possession of her, he contents himself for the time
with procuring her sequestration in a convent, from which, however, she
is presently allowed to emerge in view of the near birth of her child.
She rejoins Pietro and Violante, devoted to her, oddly enough, through
all their folly and fatuity; and under their roof, in a lonely Roman
suburb, her child comes into the world. Her husband meanwhile, hearing
of her release, gives way afresh to the fury that had not at the climax
of his former pursuit taken full effect; he recruits a band of four of
his young tenants or farm-labourers and makes his way, armed, like his
companions, with knives, to the door behind which three of the parties
to all the wrong done him, as he holds, then lurk. He pronounces, after
knocking and waiting, the name of Caponsacchi; upon which, as the door
Public-domain text, read in full here on John Shaqi.
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