The musicians, who, if I mistake not, are the war chiefs, were
squatted on the ground, in true heathen style, to the left, and near
the entrance, having Indian drums and rattles. The music was
sounding when we entered.
Presently the dancers came from behind the screen; their faces,
arms, and the upper part of their bodies were painted white; a soft,
white buckskin skirt, secured about the loins, descended nearly to
the ankles, while the breech-cloth,--blue on this occasion,--hanging
to the ground, outside the skirt, both in front and behind,
completed the dress. They faced the medicine--shall I say idols? for
it was conducted with all the solemnity of worship,--jumping up and
down in true time with the beating of the drums, while a bone
whistle in their mouths, through which the breath escaped as they
jumped about, and the singing of the women, completed the music. The
dancers continued to face the medicine, with arms stretched upwards
and towards it,--their eyes as it were riveted to it. They were
apparently oblivious to all surroundings, except the music and what
was before them.
After some time, a middle-aged man, painted as the others, but
wearing a buffalo robe, issued from behind the screen, facing
the entrance, but having his eyes fixed upon the sun, upon
which he stood gazing, without winking or moving a muscle,
for some time, then began slowly to incline his head from side
to side, as if to avoid some obstruction in his view of it,
swaying his body slightly, then, stepping slowly from side to
side--forward--backward--increasing his motions, both in rapidity
and extent, until in appearance nearly frantic, his robes fell off,
leaving him--except his blue breechclout--entirely naked. In this
condition he jumped and ran about the enclosure,--head, arms,
and legs all equally participating in the violence of his
gestures,--every joint of his body apparently loosened, his eyes
only fixed. I wondered how, with every joint apparently dislocated,
and every muscular fibre relaxed, he could maintain the upright
position.
Thus he continued to exercise without ceasing, or once removing his
eyes from the sun, until the sweat ran down in great rolling drops,
washing the white paint into streaks no more ornamental than the
original painting, and he was at length compelled to retire, from
mere exhaustion, the other dancers still continuing their exercises.
Public-domain text, read in full here on John Shaqi.
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