Notes to Shakespeare — Volume 01: ComediesJohnson, Samuel
General
Notes to Shakespeare — Volume 01: Comedies
Johnson, Samuel
Shakespeare, William, 1564-1616 -- Criticism and interpretation
Over these spirits a power might be obtained by certain rites
performed or charms learned. This power was called _The Black
Art_, or _Knowledge of Enchantment_. The enchanter being (as king
James observes in his _Demonology_) one _who commands the devil,
whereas the witch serves him_. Those who thought best of this
art, the existence of which was, I am afraid, believed very
seriously, held, that certain sounds and characters had a physical
power over spirits, and compelled their agency; others who
condemned the practice, which in reality was surely never
practised, were of opinion, with more reason, that the power of
charms arose _only_ from compact, and was no more than the spirits
voluntary allowed them for the seduction of man. The art was
held by all, though not equally criminal, yet unlawful, and
therefore Causabon, speaking of one who had commerce with
spirits, blames him, though he imagines him _one of the best kind
who dealt with them by way of command_. Thus Prospero repents of
his art in the last scene. The spirits were always considered
as in some measure enslaved to the enchanter, at least for a
time, and as serving with unwillingness, therefore Ariel so often
begs for liberty; and Caliban observes, that the spirits serve
Prospero with no good will, but _hate him rootedly_.--Of these
trifles enough.
I.ii.306 (22,1) [_Mira._ The strangeness of your story put _Heaviness
in me_.] Why should a wonderful story produce sleep? I believe
experience will prove, that any violent agitation of the mind
easily subsides in slumber, especially when, as in Prospero's
relation, the last images are pleasing.
I.ii.321 (23,2)
[As wicked dew, as e'er my mother brush'd
With raven's feather from unwholsome fen,
Drop on you both!]
[Some critics, Bentley among them, had spoken of Caliban's new
language.] Whence these critics derived the notion of a new
language appropriated to Caliban, I cannot find: they certainly
mistook brutality of sentiment for uncouthness of words. Caliban
had learned to speak of Prospero and his daughter, he had no
names for the sun and moon before their arrival, and could not
have invented a language of his own without more understanding
than Shakespeare has thought it proper to bestow upon him. His
diction is indeed somewhat clouded by the gloominess of his temper,
and the malignity of his purposes; but let any other being
entertain the same thoughts, and he will find them easily issue
in the same expressions.
[_As wicked dew_,]--_Wicked_; having baneful qualities. So
Spenser says, _wicked weed_; so, in opposition, we say herbs or
medicines have _virtues_. Bacon mentions _virtuous Bezoar_, and
Dryden _virtuous herbs_.
I.ii.351 (25,4) [Abhorred slave] This speech, which the old copy
gives to Miranda, is very judiciously bestowed by Mr. Theobald
on Prospero.
I.ii.364 (27,7) [the red plague] I suppose from the redness of the
body universally inflamed.
Public-domain text, read in full here on John Shaqi.
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