The _reserves_ are mechanical, resisting the penetration of the dye,
such as wax and pipe clay, or chemical. The last, through these acid
or oxidizing properties, cause the precipitation of the indigotine
before it has touched the fibre or penetrated into its pores. Such are
the salts of copper and bi-chlorate of mercury. Other bodies perform
the part both of mechanical and chemical reserves. The salts of zinc
or alumina, for instance, which are frequently used, produce at the
same time a deposit of indigo white and a gelatinous covering of
hydrated oxide of zinc or aluminium. The composition of a good reserve
is declared to be principally a question of good proportions of the
constituent parts, varying with the strength of the vat and the
intensity of the blue which is desired to be reserved. The first
condition is that it hardens immediately after immersion in the vat:
if it softens, on the contrary, it will cause the running of the
color. In other words, the acidity of the impression should be
proportionate to the strength and alkaline character of the vat. The
white reserve, that most generally used, is composed of pipe clay,
gum, verdigris, and sulphate of copper. The styles of work produced by
dipping with reserves are generally of a cheap and low class. The
system is clumsy and expensive, and is only tolerated because of the
want of a method of directly applying indigo, which will yield the
deepest shades.
Certain styles, formerly in great vogue, called _Lapis_, and forming
one of the richest branches of the cotton-printing industry, are
founded upon the use of reserves; and in these styles, by very simple
means which we shall not attempt to describe, different colors
produced from madder, catechu, &c., are produced upon the fabric so
perfectly surrounded by blue that the eye cannot detect the slightest
want of continuity. This fabrication has the greatest perfection in
Russia. The imitation cashmere fabrics of cotton imported from that
country, formerly much in fashion for dressing-gowns, are specimens of
this fabrication. The great stability of the colors is a remarkable
feature of these goods.
Public-domain text, read in full here on John Shaqi.
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