The charge looks a grave one, good reader, and perhaps already some
notion is trotting through your head about forgery or embezzlement; you
think of widows rendered desolate, or orphans defrauded; you lament over
the hard-earned pittance of persevering industry lost to its possessor;
and, in your heart, you acknowledge that there may have been some cause
for the partition of Poland, and that the Emperor of the Russias, like
another monarch, may not be half so black as he is painted. But spare
your honest indignation; our unpronounceable friend did none of
these. No; the head and front of his offending was simply exciting the
sympathies of a feeling world for his own deep wrongs; for the fate
of his father, beheaded in the Grand Place at Warsaw; for his four
brothers, doomed never to see the sun in the dark mines of Tobolsk; for
his beautiful sister, reared in the lap of luxury and wealth, wandering
houseless and an outcast around the palaces of St. Petersburg, wearying
heaven itself with cries for mercy on her banished brethren; and last of
all, for himself--he, who at the battle of Pultowa led heaven-knows how
many and how terrific charges cf cavalry,--whose breast was a galaxy
of orders only out-numbered by his wounds--that he should be an exile,
without friends, and without home! In a word, by a beautiful and
highly-wrought narrative, that drew tears from the lady and ten
shillings from the gentleman of the house, he became amenable to our
law as a swindler and an impostor, simply because his narrative was a
fiction.
In the name of all justice, in the name of truth, of honesty, and fair
dealing, I ask you, is this right? or, if the treadmill be the fit
reward for such powers as his, what shall we say, what shall we do, with
all the popular writers of the day? How many of Bulwer's stories are
facts? What truth is there in James? Is that beautiful creation of
Dickens, “Poor Nell,” a real or a fictitious character? And is the
offence, after all, merely in the manner, and not the matter, of the
transgression? Is it that, instead of coming before the world printed,
puffed, and hot-pressed by the gentlemen of the Row, he ventured to
edite himself, and, instead of the trade, make his tongue the medium of
publication? And yet, if speech be the crime, what say you to Macready,
and with what punishment are you prepared to visit him who makes your
heart-strings vibrate to the sorrows of _Virginius_, or thrills
your very blood with the malignant vengeance of _Iago?_ Is what is
permissible in Covent Garden, criminal in the city? or, stranger still,
is there a punishment at the one place, and praise at the other? Or is
it the costume, the foot-lights, the orange-peel, and the sawdust--are
they the terms of the immunity? Alas, and alas! I believe they are.
Public-domain text, read in full here on John Shaqi.
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