Intuitively the Post Man thinks she is of the house of Crip and accosts her with interrogatories. He gleans from her gasping brogue that a doctor has seen Crip and that he is very sick, but with proper medicines, nursing and food he will probably recover. She is now hastening to the drug store to buy--with her last dollar, she says--the medicine he must take at once. "I will stay with him until you return," says the Post Man, and with a fervent "Hiven bless you, sorr!" she melts away toward the lights of the city. The house where Crip lives is on a kind of shelf on the bayou side and its approach from above must be made down a set of steep and roughly hewn steps cut into the bank by the deceased architect of the house. At the top of these stairs the two society lights stop. "Old Boy," says one of them, "give it up. It might be catching. And you are going to the dance tonight. This little rat of a newsboy--why should you see him personally? Come, let's go back. You've had so much--" "Bobby," says the Old Boy, "have I labored all these years in vain, trying to convince you that you are an ass? I know I'm a devil of a buzzerfly, and glash of fashion, but I've gozzer see zat boy. Sold me papers a week, 'n now zey tell me he's sick in this ratsh hole down here. Come on, Bobby, or else go't devil. I'm going in." Old Boy pushes his silk hat to the back of his head and starts with dangerous rapidity down the steep stairs. His friend, seeing that he is determined, takes his arm and they both sway and stagger down to the little shelf of land below. The Post Man follows them silently, and they are too much occupied with their own unsteady progress to note his presence. He slips around them, raises the latch of the rickety door, stoops and enters the miserable hut. Crip lies on a meager bed in the corner, with great, feverish eyes, and little, bony, restless fingers moving nervously upon the covers. The night wind blows in streamy draughts between the many crannies and flares the weak flame of a candle stuck in its own grease upon the top of a wooden box. "Hello, mister," says Crip. "I knows yer. Yer works on de paper. I been laid up wid a rattlin' pain in me chist. Who wins de fight?" "Fitzsimmons won," says the Post Man, feeling his hot freckled hand. "Are you in much pain?" "How many rounds?" "First round. Less than two minutes. Can I do anything to make you easier?" "Geeminetty! dat was quick. Yer might gimme a drink." The door opens again and two magnificent beings enter. Crip gives a little gasp as his quick eyes fall upon them. Old Boy acknowledges the presence of the Post Man by a deep and exaggerated but well intentioned bow, and then he goes and stands by Crip's bedside. "Old man," he says, with solemnly raised eyebrows, "Whazzer mazzer?" "Sick," says Crip. "I know yer. Yer gimme a quarter for a paper one mornin'."