American essays -- 19th century; American fiction -- 19th century; American poetry -- 19th century; Short stories, American
Old Boy's friend ranges himself in the background. He is a man in a
dress suit with a mackintosh and cane, and is not of an obtrusive
personality.
He shows an inclination to brace himself against something, but the
fragile furniture of the hut not promising much support, he stands
uneasily, with a perplexed frown upon his face, awaiting developments.
"You little devil," says Old Boy, smiling down with mock anger at the
little scrap of humanity under the covers, "Do you know why I've come
to see you?"
"N-n-n-no, sir," says Crip, the fever flush growing deeper on his
cheeks. He has never seen anything so wonderful as this grand, tall,
handsome man in his black evening suit, with the dark, half-smiling,
half-frowning eyes, and the great diamond flashing on his snowy bosom,
and the tall, shiny hat on the back of his head.
"Gen'lemen," says Old Boy, with a comprehensive wave of his hand, "I
don't know myself, why I have come here, but I couldn't help it. That
little devil's eyes have been in my head for a week. I've never sheen
him 'n my life till a week ago; but I've sheen his eyes somewhere,
long time ago. Sheems to me I knew this little rascal when I was a kid
myself 'way back before I left Alabama; but, then, gentlemen, thash
impossible. However, as Bobby will tell you, I made him walk all the
way down here with me to shee zis little sick fellow, 'n now we mus'
do all we can for 'm."
Old Boy runs his hands into his pockets and draws out the contents
thereof and lays all, with lordly indiscrimination, on the ragged
quilt that covers Crip.
"Little devil," he says solemnly, "you mus' buy medicine and get well
and come back and shell me papers again. Where in thunder have I seen
you before? Never mind. Come on, Bobby--good boy to wait for me--come
on now and le's get a zrink."
The two magnificent gentlemen sway around grandly for a moment, make
elaborate but silent adieus in the direction of Crip and the Post Man,
and finally dwindle out into the darkness, where they can be heard
urging each other forward to the tremendous feat of remounting the
steps that lead to the path above.
Presently Crip's mother returns with his medicine and proceeds to make
him comfortable. She gives a screech of surprise at what she sees
lying upon the bed, and proceeds to take an inventory. There are $42
in currency, $6.50 in silver, a lady's silver slipper buckle and an
elegant pearl-handled knife with four blades.
The Post Man sees Crip take his medicine and his fever go down, and
promising him to bring down a paper that tells all about the great
fight, he moves away. A thought strikes him, and he stops near the
door and says:
"Your husband, now where was he from?"
"Oh, plaze yer honor," says Crip's mother, "from Alabama he was, and a
gentleman born, as everyone could tell till the dhrink got away wid
him, and thin he married me."
As the Post Man departs he hears Crip say to his mother reverentially:
Public-domain text, read in full here on John Shaqi.
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