English literature -- History and criticism; Historiography; Literature
Poetry should be vital--either stirring our blood by its divine
movement, or snatching our breath by its divine perfection. To do both
is supreme glory; to do either is enduring fame.
There is a great deal of beautiful poetical writing to be had nowadays
from the booksellers. It is interesting reading, but as one reads one
trembles. It smells of mortality. It would seem as if, at the very birth
of most of our modern poems,
'The conscious Parcae threw
Upon their roseate lips a Stygian hue.'
That their lives may be prolonged is my pious prayer. In these bad days,
when it is thought more educationally useful to know the principle of
the common pump than Keats's 'Ode on a Grecian Urn,' one cannot afford
to let any good poetry die.
But when we take down Browning, we cannot think of him and the 'wormy
bed' together. He is so unmistakably and deliciously alive. Die, indeed!
when one recalls the ideal characters he has invested with reality; how
he has described love and joy, pain and sorrow, art and music; as poems
like 'Childe Roland,' 'Abt Vogler,' 'Evelyn Hope,' 'The Worst of It,'
'Pictor Ignotus,' 'The Lost Leader,' 'Home Thoughts from Abroad,'
'Old Pictures in Florence,' 'Hervé Riel,' 'A Householder,' 'Fears and
Scruples,' come tumbling into one's memory, one over another--we are
tempted to employ the language of hyperbole, and to answer the question
'Will Browning die?' by exclaiming, 'Yes; when Niagara stops.' In him
indeed we can
'Discern
Infinite passion and the pain
Of finite hearts that yearn.'
But love of Mr. Browning's poetry is no exclusive cult.
Of Lord Tennyson it is needless to speak. Certainly amongst his Peers
there is no such Poet.
Mr. Arnold may have a limited poetical range and a restricted style, but
within that range and in that style, surely we must exclaim:
'Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?'
Rossetti's luscious lines seldom fail to cast a spell by which
'In sundry moods 'tis pastime to be bound.'
William Morris has a sunny slope of Parnassus all to himself, and Mr.
Swinburne has written some verses over which the world will long love to
linger.
Dull must he be of soul who can take up Cardinal Newman's 'Verses on
Various Occasions,' or Miss Christina Rossetti's poems, and lay them
down without recognising their diverse charms.
Let us be Catholics in this great matter, and burn our candles at many
shrines. In the pleasant realms of poesy, no liveries are worn, no paths
prescribed; you may wander where you will, stop where you like, and
worship whom you love. Nothing is demanded of you, save this, that
in all your wanderings and worships, you keep two objects steadily in
view--two, and two only, truth and beauty.
TRUTH-HUNTING.
Public-domain text, read in full here on John Shaqi.
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