Observations on the Automaton Chess Player Now Exhibited in London, at 4 Spring GardensOxford graduate
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Observations on the Automaton Chess Player Now Exhibited in London, at 4 Spring Gardens
Oxford graduate
Automaton chess players
It is of importance that the person matched against the Automaton,
should be attentive, in moving a piece, to place it precisely in the
centre of its square; otherwise the figure, in attempting to lay
hold of the piece, may miss its hold, or even sustain some injury in
the delicate mechanism of the fingers. When the person has made a
move, no alteration in it can take place: and if a piece be touched,
it must be played somewhere. This rule is strictly observed by the
Automaton. If its antagonist hesitates to move for a considerable time,
it taps smartly on the top of the chest with the right hand, which is
constantly extended upon it, as if testifying impatience at his delay.
During the time that the Automaton is in motion, a low sound of
clock-work running down is heard, which ceases soon after its arm
returns to the cushion; and then its antagonist may make his move. The
works are wound up at intervals, after ten or twelve moves, by the
exhibiter, who is usually employed in walking up and down the apartment
in which the Automaton is shown, approaching, however, the chest from
time to time, especially on its right side.
At the conclusion of the exhibition of the Automaton, on the removal of
the chess men from the board, one of the spectators indiscriminately is
requested to place a Knight upon any square of the board at pleasure.
The Automaton immediately takes up the Knight, and beginning from that
square, it moves the piece, according to its proper motion, so as to
touch each of the sixty-three squares of the chess board in turn,
without missing one, or returning to the same square. The square from
which the Knight proceeds is marked by a white counter; and the squares
successively touched, by red counters, which at length occupy all the
other squares of the board.
The description now given of the Automaton Chess Player, with respect
to its construction, so far as that can be explained, and its general
manner of working, naturally suggests an interesting inquiry: What are
the immediate causes by which its unparalleled phenomena are produced?
Public-domain text, read in full here on John Shaqi.
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