Ocean Gardens. The History of the Marine Aquarium: and the best methods now adopted for its establishment and preservation.Humphreys, Henry Noel
History
Ocean Gardens. The History of the Marine Aquarium: and the best methods now adopted for its establishment and preservation.
Humphreys, Henry Noel
Aquariums
What scenery is formed by that translucent and miniature forest of
_Delesseria sanguinea_, how lovely in its tones of soft rich crimson;
and those fan-like shrubs, in crisply graceful tufts, the bright and
singular _Padina pavonia_; and the tree-like masses of _Callithamnion
arbuscula_, and the delicate _Ptilota plumosa_, and the purple-tinted
_Corallines_, forming those
“Arborets of jointed stone.”
And then the high waving fronds of the grandly graceful _Porphyra
vulgaris_, the deep carmine of the _Iridæa edulis_, the nacreous tinges
of the _Chondrus crispus_, and the blood-red of the splendid _Rhodymenia
lacinata_, with its embroidered and lace-like edges; these, with the
gorgeous tufts of the rich purple _Bangia_, and other objects which form
the elements of still life in a submarine landscape, surely cannot be
surpassed, either for magnificence of colour or variety of structure.
But to these features must be added others more extraordinary—forms that
the elder naturalists imagined to be links between the animal and
vegetable creation, but which are now known to have no affinity whatever
with plants, though they exhibit the appearance of expanded flowers of
various hues, displaying the forms of the Carnation, the Anemone, the
Mesembryanthemum, and other beautiful flowers whose names they bear.
These curiously beautiful Zoöphytes, the wonderful _Actiniæ_, exhibit
every tone of colour, from purple and scarlet, to green and white, and
might be taken in their picturesquely-placed groups for rare exotic
flowers, planted among the rosy-tinted shrubs expressly to add the last
touch of richness and effect to the scenery of an ocean flower-show.
Yet they are not flowers, but animals—sea monsters, whose seeming
delicate petals are but their thousand Briarean arms, disguised as the
petals of a flower, and expanded to seize the unconscious victim as he
passes near the beautiful form—fatal to him as the crater of a volcano;
in which he is soon engulphed by the closing tentacles of his
unsuspected enemy. And if he pass not near enough for that deadly floral
embrace, those pretty crimson tubercles that dot so gracefully the
seeming stalk, beneath the seeming flower, can shoot forth a thread,
armed, like the fisher’s line, with a barbed hook, which strikes and
secures the distant prey; and so the unwary _Annelid_ or _Infusory_ is
captured and devoured. In this capacity the creature has been compared
to Pope’s spider, who
“Feels at each thread, and lives along the line.”
But then the living thread of the _Actinia_ (or of the _Cirriped_, which
has a similar power) is a fact, while the sensitive gossamer of the poet
is a fiction.
Public-domain text, read in full here on John Shaqi.
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