Architecture, Byzantine; Byzantine Empire; Istanbul (Turkey) -- Description and travel; Justinian I, Emperor of the East, 483?-565
II. In front of the Senate House there is an open place which the
people of Constantinople call the Augustæum: in it there are not less
than seven courses of stone in a quadrangular form, arranged like
steps, each one so much less in extent than that which is below, that
each one of the stones projects sufficiently for the men who frequent
that place to sit upon them as upon steps. From the topmost course a
column rises to a great height—not a monolith, but composed of stones
of a considerable periphery, which are cut square, and are fitted into
one another by the skill of the masons. The finest brass, cast into
panels and garlands, surrounds these stones on every side, binding
them firmly together, while it covers them with ornament, and in all
parts, especially at the capital and the base, imitates the form of
the column. This brass is in colour paler than unalloyed gold; and its
value is not much short of its own weight in silver. On the summit of
the column there stands an enormous horse, with his face turned towards
the east—a noble sight. He appears to be walking, and proceeding
swiftly forwards; he raises his left fore-foot as though to tread upon
the earth before him, while the other rests upon the stone beneath
it, as though it would make the next step, while he places his hind
feet together, so that they may be ready when he bids them move. Upon
this horse sits a colossal brass figure of the Emperor, habited as
Achilles, for so his costume is called; he wears hunting-shoes, and
his ankles are not covered by his greaves. He wears a corslet like an
ancient hero, his head is covered by a helmet which seems to nod, and a
plume glitters upon it. A poet would say that it was that ‘star of the
dog-days’ mentioned in Homer.[7] He looks towards the east, directing
his course, I imagine, against the Persians; in his left hand he holds
a globe, by which the sculptor signifies that all lands and seas are
subject to him. He holds no sword or spear, or any other weapon, but a
cross stands upon the globe, through which he has obtained his empire
and victory in war; he stretches forward his right hand towards the
east, and spreading out his fingers seems to bid the barbarians in that
quarter to remain at home and come no further. This is the appearance
of the statue.
Public-domain text, read in full here on John Shaqi.
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