Old and New Paris: Its History, Its People, and Its Places, v. 1Edwards, H. Sutherland (Henry Sutherland)
History
Old and New Paris: Its History, Its People, and Its Places, v. 1
Edwards, H. Sutherland (Henry Sutherland)
Paris (France) -- Description and travel; Paris (France) -- History
The plan of the cathedral has, like that of other cathedrals,
been changed from century to century; but in spite of innumerable
modifications, the original plan asserts itself. From the fourteenth
to the seventeenth century the Church of Notre Dame was left nearly
untouched. Then, however, in obedience to the wishes of Louis XIII., it
was subjected to a whole series of pretended embellishments, for which
"mutilations" would be a fitter word. In the eighteenth century, between
the years 1773 and 1787, damaging "improvements," and "restorations" of
the most destructive kind, were introduced; until at the time of the
Revolution the idea was entertained of depriving the venerable edifice
altogether of its religious character. The outside statues were first
threatened, but Chaumette saved them by dwelling upon their supposed
astronomical and mythological importance. He declared before the Council
of the Commune that the astronomer Dupuis (author of "L'origine de tous
les Cultes") had founded his planetary system on the figures adorning
one of the lateral doors of the church. In conformity with Chaumette's
representations, the Commune spared all those images to which a
symbolic significance might be attached, but pulled down and condemned
the statues of the French kings which ornamented the gallery and the
principal façade. The cathedral at the same time lost its name. Temple
of Reason it was now, until the re-establishment of public worship,
to be called. Then new mutilations were constantly perpetrated, until
at last, in 1845, the work of restoring the cathedral was placed in
competent hands, when, thanks to the learning, the labour, and the taste
of MM. Lassus and Viollet-Leduc, Notre Dame was made what it still
remains--one of the most magnificent specimens of mediæval architecture
to be found in Europe. Why describe the ancient monument, when it is
so much simpler to represent through drawings and engravings its most
characteristic features?
Some of the most interesting, most curious facts of its history may,
however, be appropriately related. The Count of Toulouse, Raymond VII.,
accused of having supported the Albigenses by his arms and of sharing
their errors, was absolved in Notre Dame from the crime of heresy after
he had formally done penance in his shirt, with naked arms and feet,
before the altar.
An attempt was made by a thief to steal from the altar of Notre Dame its
candlesticks. After concealing himself in the roof, the man, aided by
other members of his band, let down ropes, and, encircling the silver
ornaments, drew them upwards to his hiding-place. In performing this
exploit, however, he set fire to the hangings of the church, by which
much damage was caused.
Public-domain text, read in full here on John Shaqi.
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