Christian antiquities -- Great Britain; Folklore -- Great Britain; Great Britain -- Social life and customs; Manners and customs
Perhaps the most interesting of chapels on bridges, is the one at
Wakefield, dedicated to St. Mary. Its history has been carefully compiled
by Norrisson Scatcherd, in 1843, by John W. Walker, F.S.A., in 1890, and
it has received the consideration of other antiquaries. It has long been a
popular, but mistaken belief, that the chapel was built by Edward IV.
that masses might be said for those slain in the battle of Wakefield, in
1460, and in which his father, the Duke of York, and his brother, the Duke
of Rutland were slain. It will be remembered, that in this engagement, the
Lancastrians defeated the Yorkists. It is clear, from Mr. Walkers work,
that the beautiful chapel was built by the townsmen of Wakefield, and
there is not any trace of the King adding anything to the revenues of the
chapel. When the first bridge was built over the Calder, is not known,
but, in 1342, King Edward III. granted to the bailiffs of the town the
right of tollage for three years, on all goods for sale and cattle passing
over the bridge, "as a help towards repairing and improving the bridge,"
which is stated to be "rent and broken." In the documents, there is not
any mention of a chapel, a bridge only is referred to. Mr. Walker is of
opinion that about this time the suggestion was first made for the
erection of a chapel in honour of the Blessed Virgin Mary, and that it was
soon carried into effect. Three townsmen and two priests obtained the
first license, in 1356-7. In a decree, bearing date of November 20th,
1444, it says the chapel is "Wholly built of costly stonework by the
inhabitants and community of Wakefield." It has been suggested that, for a
time, the black death, which caused such terrible desolation in the
country, in 1349-50, may, for a period, have stopped the building of the
chapel. It was a noble structure when completed, the carving being
especially fine. On the west front, were carvings representing the five
glorious mysteries of the Rosary. We give a picture of the central
figures, illustrating the Resurrection. It will be seen that Christ is
rising from the tomb, and on either side of him are two angels engaged in
prayer. In front of the tomb are three soldiers, placed there as guards,
and they are clad in complete armour of the time of Edward III. An
important feature of the Wakefield bridge-chapel is the crypt. "This,"
says Scatcherd, "has undoubtedly been the dwelling of the priests--where
they might have lodged strangers, or administered relief." There was a
high turret, reached by a little spiral staircase. On this elevated part
of the building was kindled the cresset-light, which would guide the
wayfarer, and possibly assist the navigator on the river Calder, when day
had given way to night.
[Illustration: SCULPTURE IN THE CENTRAL COMPARTMENT OF THE WEST FRONT.]
[Illustration: NORTH-EAST VIEW OF WAKEFIELD BRIDGE-CHAPEL, 1810.]
Public-domain text, read in full here on John Shaqi.
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