The Court of Oranges was used by the Moslems for ablution before entering the mosque. It is a wide space, with palms, orange-trees, and fountains, and a colonnade. It is the most beautiful spot in Cordova, cool and gracefully shaded, and when the orange-trees are in flower a fragrance pervades the place. Once there were nineteen beautiful gateways leading into the court, and these were uniform with the nineteen aisles. The famous fountain of Abderahman stands in the centre of the court. Here all day the women of Cordova are gathered. They come one by one, or in groups together. Each carries her red-brown pitcher for water. It is the meeting-place where the day's gossip is exchanged. Always there is the sound of laughter and gay chattering. All the Cordovese appear to be happy. We enter the mosque by the Puerta de las Palmas; the eyes are dazed by the endless columns and profusion of arches, numbering nearly nine hundred. Nowhere are there such columns and arches as these. Every stone has its history. Marble, porphyry, and jasper are the material, and the arches are painted red and white. The effect is indescribable. I believe that there are not two columns alike in point of decorative detail. Some of the arches are of horseshoe shape, and some are round. But symmetry is retained; the whole interior gives a delightful impression of grace and elegance. Look up at the wondrous ceiling. Its wealth of colour is dazzling. When the thousands of lamps were lit, the ceiling shone with gold and brilliant colours. In some parts the ceilings of the mosque are embellished with paintings, and a number of cufic inscriptions are seen among the decorative designs. De Amicis, writing of the Mosque of Cordova, says: "Imagine a forest, fancy yourself in the densest part of it, and that you can see nothing but the trunks of trees. So in this mosque, on whatever side you look, the eye loses itself among the columns. It is a forest of marble, whose confines one cannot discover. You follow with your eye, one by one, the very long rows of columns that interlace at every step with numberless other rows, and you reach a semi-obscure background, in which other columns seem to be gleaming. There are nineteen aisles, which extend from north to south, traversed by thirty-three others, supported, among them all by more than nine hundred columns of prophyry, jasper, breccia, and marbles of every colour." The walls and ceiling of parts of the building are in marvellous preservation. They gleam with an infinite opulence of colour; they are elaborately embellished with almost every conceivable form of arabesques, bas-reliefs, and Moorish designs, painted in wonderful hues and rich in gilt.