Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
It is war to the knife between the cool-headed minister and a passionate
woman, blinded by a sense of wrong to herself and the children she has
borne the king. Many weeks have passed since she has seen Don Pedro, who
left her in displeasure anent the burning question of his marriage. He
was going to hunt, he told her, in the mountains of Segovia, in obvious
subterfuge, for he had not been there at all, nor can she learn for
certain whether he is at Burgos or Valladolid, nor when he will return.
And this treatment from a lover, whom she has hitherto swayed with
absolute power!
As the name of Pedro rises to her lips, she raises herself and sits
upright.
“He dared to talk to me of marriage,” she cries, clenching her hands
until the henna-tipped fingers mark the palm. “Alliance with France!
Before, it was I who was to wear the crown; I, whose beauty he said was
to work miracles upon the people; I, whose craft was to sway his
councils; I, Maria de Padilla, to crush out rebellion, and now he would
bring in a stranger to put me to open shame--me and the son I have borne
him! Oh, Pedro! Pedro! Was it for this you lured me to you? No, no! This
wrong does not come from you, but from that crafty knave, Albuquerque,
who has been bribed to ruin me!”
As she spoke, all her tears seemed in an instant to dry up. Her face
grew dark, as she put back the long black hair that veiled her cheeks,
and gathered herself together where she lay.
“If it is a duel between us two, I accept it. One must fall. It shall
not be Maria de Padilla. To dare to bring a wife to Pedro. A wife! ha!
ha! Blanche of Bourbon! She shall never reign in Castile! I will prevent
it! Alliance, indeed, and marriage! I will light up such a war that they
shall curse the day they named her. What? Come into Spain to rob me of
my Pedro? Never! No, not if I call Beelzebub himself to help me!”
As she sits there, her widely opened eyes fixed on the shadowed
splendour of the walls, the gold, and the panels, the waving filagree
work, and the arches, she looks like a beautiful demon.
Then a flood of tender recollections comes to her. She thinks of the
first days when she came a young girl to her kinsman’s house in Seville,
how Albuquerque threw her in the king’s path as a humble flower he was
invited to pick up. The glory of his love, the triumph of her power,
almost a queen--more than a sultana--the crown within her grasp--and
now, fallen so low that he has left her without a word. Yes! He has
sacrificed her to his ambition; what more has she to hope? By this act
Albuquerque’s ascendancy is proclaimed. This royal marriage is a proof
of it. Pedro has many enemies--Aragon, Navarre, France, brothers and
ambitious nobles. Slowly the truth comes to her, and again she flings
herself back in an agony of despair. Again the fountain of her tears is
poured out. “Pedro! oh, Pedro!” is all she can utter.
Public-domain text, read in full here on John Shaqi.
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