Old Court Life in Spain, vol. 2/2Elliot, Frances Minto Dickinson
History
Old Court Life in Spain, vol. 2/2
Elliot, Frances Minto Dickinson
Spain -- Court and courtiers
As the king’s name passes her lips, a mailed hand puts back the arras
which hangs before the door, and he himself stands before her, the dark
steel helmet on his head, and the loose auburn locks worn long making
his naturally pallid face look whiter. Save for his breastplate, he is
in complete armour, travel-stained and mud-besplashed as one who had
ridden long and furiously. Nor does his countenance denote a mind at
ease. Every feature in his face betrays an anxiety and care seldom seen
there. Instead of that upright, masterful bearing which strikes fear
into his enemies, his manner of entering is hurried and agitated.
“You called me, Maria,” he says tenderly, gathering her prostrate form
into his arms, “and I am here.”
But ere the words have passed his lips, Maria has sprung to her feet.
“What, my lord!” she cries, with a mocking laugh, “so soon from
Valladolid? Where is the Lady Blanche? Have you tired of her already? Is
Albuquerque with you, listening behind the arras? If _he_ is a traitor
to me, _you_ are a greater.”
Then her mood changes, and tearing herself away from his outstretched
arms she flings herself back upon the divan. “Oh, you are cruel, cruel!”
she sobs. “For years you have enjoyed the treasure of my love--all I
could give you. Who swore to make me his queen before the Church? to
name my child his successor? And now you have wedded, stealthily,
secretly, treacherously, and Albuquerque has helped you! Oh, Pedro, you
have broken my heart! Go to your white-faced princess. She will deceive
you, as you have me. Let me go!” she shrieks, as the king endeavours to
draw her closer to him, and the sound of her voice echoes in the painted
vestibules as she struggles to free herself. “Touch me not. Not with a
finger. You shall not stay me; I will die as proudly as I have lived in
this palace where I have triumphed. Here, on this pavement our feet have
pressed so long together; within these halls where you have so often
dallied with me!”
Then, by a sudden movement flinging back the curtains, she rushes
forward into the open gallery of the _mirador_, but in an instant the
strong arms of Pedro are round her.
All that tenderness could devise he essays to calm her. Slowly and sadly
she yields to his touch, and listens to his entreaties for forgiveness.
No one could have recognised the cruel Pedro in this impassioned youth.
Truly it might be said she had bewitched him!
“Maria,” he whispers, covering her with kisses, as she lies faint and
exhausted in his arms, “believe me, if I am married, it is for your
good.”
“‘_My good_,’ false one? What good can come to me by losing you?”
“By making you greater than the queen!” answers, Pedro, looking down
with glowing eyes upon the lines of her exquisite figure, and that royal
contour of neck and brow that marks her supreme among women.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account