Old English colour printsSalaman, Malcolm C. (Malcolm Charles)
History
Old English colour prints
Salaman, Malcolm C. (Malcolm Charles)
Color prints, English
John Russell, whose gracious portraits in pastel appealed to fashion
with the special charm of their uncommon medium, also found happy
interpretation on the copper-plate, especially from the delicate
graver of P. W. Tomkins. The most attractive examples in colours are
the charming _Maria_, _Maternal Love_ (Mrs. Morgan and child), and
_Children Feeding Chickens_. Collyer’s _Mrs. Fitzherbert_ is also
one of the most desirable among the numerous Russell colour-prints.
When the engravings of Charles Ansell’s _Death of a Racehorse_ in
1784 had an immense sale, none presumably would have believed that,
a hundred and twenty-five years later, collectors would hold him
in high regard, not for the horses that made him famous, but for
four dainty little drawings of domestic “interiors,” thoroughly
representative of their period, preserved in P. W. Tomkins’s stipple
prints, especially charming and rare in colours. Tomkins engraved
other things of Ansell’s, Knight also; but the set of _The English
Fireside_ and _The French Fireside_, _The English Dressing-Room_ and
_The French Dressing-Room_ (the two latter reproduced here), if really
fine in colour, must be a prize in the choicest collection. As these
prints give us intimate glimpses into the home-life of the “smart set”
of the period, so, thanks to the pictorial sense of that vivacious
artist Edward Dayes, we are able to see just how the fashionable world
comported itself in the parks. _An Airing in Hyde Park_ and _The
Promenade in St. James’s Park_, the one engraved by Gaugain, the other
by Soiron, are alive with contemporary social and pictorial interest,
and in colours they are rare to seek. Social interest, too, flavours
chiefly the name of Henry William Bunbury. Classed generally with
the caricaturists, among whom, even in that period of forcible and
unrestricted caricature, he was certainly one of the most spontaneously
humorous as he was the most refined, he had, like his brother
caricaturist Thomas Rowlandson, his days of grace. In those days he
did, not with flawless drawing perhaps, but with a vivid feeling for
beauty, some charming things, which the engravers turned to good
account in colour. Among these are _Morning Employments_ by Tomkins,
_The Song_ and _The Dance_ by Bartolozzi, _The Modern Graces_ by Scott,
and _Black-eyed Susan_ by Dickinson.
Public-domain text, read in full here on John Shaqi.
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