RINALDO AND ARMIDA (Plate XXII.). The enchantment of Rinaldo, the Christian Knight, by Armida, the beautiful Oriental sorceress, in Tasso’s “Gerusalemme Liberata.” LOVE AND BEAUTY: MARCHIONESS OF TOWNSHEND (Plate XXIV.). One of the three beautiful daughters of Sir William Montgomery immortalised by Reynolds on the large canvas now in the National Gallery, called “The Graces decorating a terminal figure of Hymen.” She married the distinguished general who finished the battle of Quebec when Wolfe had fallen. TWO BUNCHES A PENNY, PRIMROSES (Plate XXV.). KNIVES, SCISSORS AND RAZORS TO GRIND (Plate XXVI.). Numbers 1 and 6 of the CRIES OF LONDON. The other plates are: 2, _Milk below, Maids_. 3, _Sweet China Oranges_. 4, _Do you want any Matches?_ 5, _New Mackerel_. 7, _Fresh Gathered Peas_. 8, _Duke Cherries_. 9, _Strawberries_. 10, _Old Chairs to Mend_. 11, _A new Love-song_. 12, _Hotspice Gingerbread_, two plates. 13, _Turnips and Carrots_. There are still in existence two or three paintings of similar character by Wheatley--one depicting a man selling copper kettles--which would suggest, besides the belated publication of the thirteenth plate, that it was originally intended to issue a larger number of the “Cries” than those we know, had the public encouragement warranted it. The colour-printing of the earliest impressions was superlatively fine, and in the original pink board-wrappers these are, of course, extremely rare, and would realize to-day as much as a thousand pounds.