These selections from Old English poetry have been translated to meet the needs of that ever-increasing body of students who cannot read the poems in their original form, but who wish nevertheless to enjoy to some extent the heritage of verse which our early English ancestors have left for us. Especially in the rapid survey of English literature given in most of our colleges, a collection of translations covering the Anglo-Saxon period and reflecting the form and spirit of the original poems should add much to a fuller appreciation of the varied and rich, though uneven, literary output of our earliest singers. In subject-matter these Old English poems are full of the keenest interest to students of history, of customs, of legend, of folk-lore, and of art. They form a truly national literature; so that one who has read them all has learned much not only of the life of the early English, but of the feelings that inspired these folk, of their hopes, their fears, and their superstitions, of their whole outlook on life. They took their poetry seriously, as they did everything about them, and often in spite of crudity of expression, of narrow vision, and of conventionalized modes of speech, this very "high seriousness" raises an otherwise mediocre poem to the level of real literature. Whatever may be said of the limitations of Old English poetry, of its lack of humor, of the narrow range of its sentiments, of the imitativeness of many of its most representative specimens, it cannot be denied the name of real literature; for it is the direct expression of the civilization that gave it birth--a civilization that we must understand if we are to appreciate the characteristics of its more important descendants of our own time. Although the contents of these poems can be satisfactorily studied in any translation, the effect of the peculiar meter that reinforces the stirring spirit of Old English poetry is lost unless an attempt is made to reproduce this metrical form in the modern English rendering. The possibility of retaining the original meter in an adequate translation was formerly the subject of much debate, but since Professor Gummere's excellent version of _Beowulf_ and the minor epic poems,[footnote: _The Oldest English Epic_, New York, 1909.] and other recent successful translations of poems in the Old English meter, there can be no question of the possibility of putting Anglo-Saxon poems into readable English verse that reproduces in large measure the effect of the original. To do this for the principal Old English poems, with the exception of _Beowulf_, is the purpose of the present volume. Except for the subtlest distinctions between the types of half verse, strict Old English rules for the alliterative meter have been adhered to. These rules may be stated as follows: 1. The lines are divided into two half-lines, the division being indicated by a space in the middle.