The evanescence of literary fame is strikingly illustrated by recalling
at this moment my first sight of Borrow. I could not have been much more
than a boy, for I and a friend had gone down to Yarmouth in March to
enjoy the luxury of bathing in a Yarmouth sea, and it is certainly a
“good while”—to use Borrow’s phrase—since I considered _that_ a luxury
suitable to March. On the morning after our arrival, having walked some
distance out of Yarmouth, we threw down our clothes and towels upon the
sand some few yards from another heap of clothes, which indicated, to our
surprise, that we were not, after all, the only people in Yarmouth who
could bathe in a biting wind; and soon we perceived, ducking in an
immense billow that came curving and curling towards the shore, such a
pair of shoulders as I had not seen for a long time, crowned by a head
white and glistening as burnished silver. (Borrow’s hair was white I
believe, when he was quite a young man.) When the wave had broken upon
the sand, there was the bather wallowing on the top of the water like a
Polar bear disporting in an Arctic sun. In swimming Borrow clawed the
water like a dog. I had plunged into the surf and got very close to the
swimmer, whom I perceived to be a man of almost gigantic proportions,
when suddenly an instinct told me that it was Lavengro himself, who lived
thereabouts, and the feeling that it was he so entirely stopped the
action of my heart that I sank for a moment like a stone, soon to rise
again, however, in glow of pleasure and excitement: so august a presence
was Lavengro’s then!
I ought to say, however, that Borrow was at that time my hero. From my
childhood I had taken the deepest interest in proscribed races such as
the Cagots, but especially in the persecuted children of Roma. I had
read accounts of whole families being executed in past times for no other
crime than that of their being born gipsies, and tears, childish and yet
bitter, had I shed over their woes. Now Borrow was the recognized
champion of the gipsies—the friend companion, indeed, of the proscribed
and persecuted races of the world. Nor was this all: I saw in him more
of the true Nature instinct than in any other writer—or so, at least, I
imagined. To walk out from a snug house at Rydal Mount for the purpose
of making poetical sketches for publication seemed to me a very different
thing from having no home but a tent in a dingle, or rather from Borrow’s
fashion of making all Nature your home. Although I would have given
worlds to go up and speak to him as he was tossing his clothes upon his
back, I could not do it. Morning after morning did I see him undress,
wallow in the sea, come out again, give me a somewhat sour look, dress,
and then stride away inland at a tremendous pace, but never could I speak
to him; and many years passed before I saw him again. He was then half
forgotten.
Public-domain text, read in full here on John Shaqi.
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