The illness which compelled Palmer to give up London had evidently been very serious, and his convalescence was tedious. Nor, when supposed to be well, did he feel any inclination to resume work as a clerk. So he stayed in Cambridge at his aunt’s house, with no definite aim in life, but taking up now one thing, now another, after the manner of clever boys when they are at home for the holidays. He did a little literature in the way of burlesques, one of which, _Ye Hole in ye Walle_, a legend told after the manner of Ingoldsby, was afterwards published by Messrs Macmillan; he wrote a farce, which was acted in that temple of Thespis, once dear to Cambridge undergraduates, the old Barnwell Theatre; he acted himself with considerable success, and for a week or so thought of adopting the stage as a profession; he tried conjuring, in which in after years he became an adept, and ventriloquism, where he failed; he took up various forms of art, as wood-engraving, modelling, drawing, painting, photography; in all of which, except the last, he arrived at creditable results. His aunt is reported to have borne her nephew’s changeable tastes with exemplary patience, until photography came to the front; but ‘the waste of expensive materials, the damage to clothes, stair carpets—he could always be traced—his disreputable piebald appearance,’ and (last, but not least!) ‘the results on glass,’ were too much for even her good-nature. The camera was banished, and the artist was bidden to adopt some pursuit less annoying to his neighbours. The one really useful study of this period was shorthand-writing; and in after years, when he practised as a barrister, he found the usefulness of it.