On my way to the stream for my morning bath, I waded through masses of
golden sunflowers and blue and purple vetches up to my knees. Dim on
the eastern horizon, where the sun was rising, were the blue outlines
of the Sweet Grass Hills; and in the west the mighty frontier range of
the Rockies, with glistening glaciers and snowfields. In the long grass
I saw a prairie hare, a pair of kit foxes, and ground squirrels running
about, chirping in the sunlight. Along the shore of the lake were
killdeer, long-billed curlew, and spotted sandpipers.
All the birds were singing, robins, yellow-throats, and lovely mountain
bluebirds; horned larks were fluttering and trilling, hovering like
butterflies against the deep blue sky. Along the stream were thickets
of willows and snowberry bushes in flower, and in marshy places blue
flags, scarlet painted-cups, and blue-eyed grasses.
After a plunge in the cold water of the brook, I went back to my lodge
and had breakfast; looked after my horses, watered them and changed
their picket places, then sat outside in the sunlight.
Health is a wonderful thing. On lovely summer mornings, when nature was
at her best over the prairie, my heart felt light and I was happy; the
civilized world was easily forgotten. With my horses, cameras, and
notebooks, I could always occupy myself and had plenty of work to do.
In the circle camp I counted three hundred and fifty lodges—thirty of
them were Painted Tepees with symbolic decorations. They belonged to
the head men of different bands and were pitched in prominent places on
the inner circle. The owners were proud of them. The ceremonies that
went with them gave a social prestige and a good standing in the tribe.
At first it was hard to find out anything about the Painted
Tepees—about their symbolic declarations, ceremonies, and the legends
of their origin. The owner believed that the divulging of the secrets
weakened their supernatural power. Each Painted Tepee had a sacred
bundle and a separate ceremony. The pictures on the tepee cover and the
ceremony that went with them could not be separated. They came
originally through a dream and belonged exclusively to the founder, who
might transfer them to another; but no one could copy them. They were
believed to have protective power for the owners and their families.
Both men and women made vows to them in time of danger and in behalf of
the sick. If the tepee cover with its decorations wore out, a new one
with the same pictures took its place. But the old one was sacrificed
to the Sun—destroyed by spreading upon the surface of a lake and
sinking it under the water.
Public-domain text, read in full here on John Shaqi.
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