Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece — John Shaqi
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured FrontispieceTuer, Andrew White
History
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece
Tuer, Andrew White
Cries -- England -- London
Let Fame puff her trumpet, for muffin and crumpet,
They cannot compare with my dainty hot rolls;
When mornings are chilly, sweet Fanny, young Billy,
Your hearts they will comfort, my gay little souls.
Muffins and crumpets were then, as now, principally cried during the
winter months.
Hot pudding, sweet, heavy and indigestible, was sold in halfpenny slabs.
Who wants some pudding nice and hot!
'Tis now the time to try it;
Just taken from the smoking pot,
And taste before you buy it.
The cry "One-a-penny, two-a-penny, _hot_ CROSS BUNS!" which,--now never
heard from the sellers on Good Friday,--is still part of a child's game,
remains as one of the best instances of English quantitative metre,
being repeated in measured time, and not merely by the ordinary accent.
The rhubarb-selling Turk, who appeared in turban, trousers, and--what
was then almost unknown amongst civilians--moustaches, was, fifty years
ago or more, a well known character in the metropolis.
Sand was generally used in London, not only for cleaning kitchen
utensils, but for sprinkling over uncarpeted floors as a protection
against dirty footsteps. It was sold by measure--red sand, twopence
halfpenny, and white a penny farthing per peck. The very melodious
catch, "White Sand and Grey Sand, Who'll buy my White Sand!" was
evidently harmonized on the sand-seller's traditional tune.
"Buy a bill of the play!" In the time of our great grandfathers, there
were no scented programmes, and the peculiar odour of the play-bills was
not due to the skill of a Rimmel. Vilely printed with the stickiest of
ink, on the commonest of paper, they were disposed of both in and
outside the theatre by orange-women, who would give one to a purchaser
of half a dozen oranges or so. In Hogarth's inimitably amusing and
characteristic print of _The Laughing Audience_, a couple of robustly
built orange-women are contending, with well-filled baskets, for the
favour of a bewigged beau of the period, who appears likely to become an
easy victim to their persuasions.
"Knives to grind" is still occasionally heard, and the grinder's barrow
(_vide_ that depicted in Rowlandson's illustration on p. 59), is much
the same as it was a hundred years ago. At the beginning of the century
the charge for grinding and setting scissors was a penny or twopence a
pair; penknives a penny a blade, and table-knives one and sixpence and
two shillings a dozen.
Rabbits were carried about the streets suspended at either end of a pole
which rested on the shoulder.
The edible marine herb samphire, immortalized in connection with
"Shakespeare's Cliff" at Dover, was at one time regularly culled and as
regularly eaten.
The once familiar cry of "Green rushes O!" is
[Illustration: "_Cherries, fourpence a pound!_"]
Public-domain text, read in full here on John Shaqi.
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