Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece — John Shaqi
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured FrontispieceTuer, Andrew White
History
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece
Tuer, Andrew White
Cries -- England -- London
preserved only in verse. In Queen Elizabeth's time the floors of
churches as well as private houses were carpeted with rushes, and in
Shakespeare's day the stage was strewn with them. Rush-bearing, a
festival having its origin in connection with the annual renewal of
rushes in churches, was kept up until quite recently, and may even still
be practised in out-of-the-way villages.
The stock of the "'arthstone" woman, who is not above doing a stroke of
business in bones, bottles, and kitchen stuff, is usually on a barrow,
drawn by a meek-eyed and habitually slow-paced donkey.
The London Barrow Woman ("Ripe Cherries"), as preserved in the cut from
the inimitable pencil of George Cruikshank, has long since disappeared.
In 1830, when this sketch was made, the artist had to rely on his
memory, for she then no longer plied her trade in the streets. Her wares
changed with the seasons; but here a small schoolboy is being tempted by
ripe cherries tied on a stick. There being no importation of foreign
fruit, the cherries were of prime quality. May dukes, White heart, Black
heart, and the Kentish cherry, succeeded each other--and, when sold by
weight, and not tied on sticks, fetched sixpence, fourpence, or
threepence per lb., which was at least twopence or threepence less than
charged at the shops.
[Illustration: "_Ripe Cherries!_"]
The poor Barrow Woman appears to have been treated very much in the same
manner as the modern costermonger; but was without his bulldog power of
resistance. If she stopped to rest or solicit custom, street keepers,
"authorized by orders unauthorized by law," drove her off, or beadles
overthrew her fruit into the road. Nevertheless, if Cruikshank has not
idealized his memories, she was more wholesomely and stoutly clad than
any street seller of her sex--with the one exception of the
milkmaid--who is to be seen in our day, when the poor London woman has
lost the instinct of neatness and finish in attire.
"Hot spiced gingerbread," still to be found in a cold state at village
fairs and junketings, used to be sold in winter time in the form of flat
oblong cakes at a halfpenny each, but it has long since disappeared from
our streets.
"Tiddy Diddy Doll, lol, lol, lol" was a celebrated vendor of
gingerbread, and, according to Hone, was always hailed as the king of
itinerant tradesmen. It must be more than a century since this dandified
character ceased to amuse the populace. He dressed as a person of
rank--ruffled shirt, white silk stockings, and fashionable laced suit of
clothes surmounted by a wig and cocked hat decorated with a feather. He
was sure to be found plying his trade on Lord Mayor's
[Illustration: "_Tiddy Diddy Doll._"]
day, at open air shows, and on all public occasions. He amused the crowd
to his own profit; and some of his humorous nonsense has been preserved.
"Mary, Mary, where are you _now_, Mary?"
Public-domain text, read in full here on John Shaqi.
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