Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece — John Shaqi
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured FrontispieceTuer, Andrew White
History
Old London Street Cries and the Cries of To-day: With Heaps of Quaint Cuts Including Hand-coloured Frontispiece
Tuer, Andrew White
Cries -- England -- London
"I live two steps underground, with a wiscom riscom, and why not. Walk
in, ladies and gentlemen. My shop is on the second floor backwards, with
a brass knocker at the door. Here's your nice gingerbread, your spiced
gingerbread, which will melt in your mouth like a red-hot brickbat, and
rumble in your inside like Punch in his wheelbarrow!" He always finished
up by singing the fag end of a song--"Tiddy Diddy Doll, lol, lol, lol;"
hence his nickname of Tiddy Doll. Hogarth has introduced this character
in his Execution scene of the Idle Apprentice at Tyburn. Tiddy Doll had
many feeble imitators; and the woman described in the lines that follow,
taken from a child's book of the period, must have been one of them.
Tiddy Diddy Doll, lol, lol, lol,
Tiddy Diddy Doll, dumplings, oh!
Her tub she carries on her head,
Tho' of'ener under arm.
In merry song she cries her trade,
Her customers to charm.
A halfpenny a plain can buy,
The plum ones cost a penny,
And all the naughty boys will cry
Because they can't get any.
[Illustration: "_Large silver eels!_"]
Fifty years ago "Young Lambs to Sell, two for a penny," which still
lingers, was a well known cry. They were children's toys, the fleece
made of white cotton-wool, attractively but perhaps a trifle too
unnaturally spangled with Dutch gilt. The head was of composition, the
cheeks were painted red, there were two black spots to do duty for eyes,
and the horns and legs were of tin, which latter adornment, my younger
readers may suggest, foreshadowed the insufficiently appreciated tinned
mutton of a later period. The addition of a bit of pink tape tied round
the neck by way of a collar made a graceful finish, and might be
accepted as a proof that the baby sheep was perfectly tame.
Young lambs to sell, young lambs to sell.
Two for a penny, young lambs to sell.
If I'd as much money as I could tell,
I wouldn't cry young lambs to sell.
Dolly and Molly, Richard and Nell,
Buy my Young Lambs and I'll use you well!
The later song--
Old chairs to mend, old chairs to mend.
If I'd as much money as I could spend,
I'd leave off crying old chairs to mend--
--is obviously copied from the original cry of "Young Lambs to Sell." In
addition to a few tools, the stock-in-trade of the travelling
chair-mender principally consisted of rushes, which in later days gave
place to cane split into strips of uniform width--a return to more
[Illustration: "_Young lambs to sell._"]
[Illustration: "_Buy my fine Myrtles and Roses!_"]
Public-domain text, read in full here on John Shaqi.
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