With all these materials at his command, Scott was able almost to dwell in the age of the Covenant hence the extraordinary life and brilliance of this, his first essay in fiction dealing with a remote time and obsolete manners. His opening, though it may seem long and uninviting to modern readers, is interesting for the sympathetic sketch of the gentle consumptive dominie. If there was any class of men whom Sir Walter could not away with, it was the race of schoolmasters, “black cattle” whom he neither trusted nor respected. But he could make or invent exceptions, as in the uncomplaining and kindly usher of the verbose Cleishbotham. Once launched in his legend, with the shooting of the Popinjay, he never falters. The gallant, dauntless, overbearing Bothwell, the dour Burley, the handful of Preachers, representing every current of opinion in the Covenant, the awful figure of Habakkuk Mucklewrath, the charm of goodness in Bessie McLure, are all immortal, deathless as Shakspeare’s men and women. Indeed here, even more than elsewhere, we admire the life which Scott breathes into his minor characters, Halliday and Inglis, the troopers, the child who leads Morton to Burley’s retreat in the cave, that auld Laird Nippy, old Milnwood (a real “Laird Nippy” was a neighbour of Scott’s at Ashiestiel), Ailie Wilson, the kind, crabbed old housekeeper, generous in great things, though habitually niggardly in things small. Most of these are persons whom we might still meet in Scotland, as we might meet Cuddie Headrigg--the shrewd, the blithe, the faithful and humorous Cuddie. As to Miss Jenny Dennison, we can hardly forgive Scott for making that gayest of soubrettes hard and selfish in married life. He is too severe on the harmless and even beneficent race of coquettes, who brighten life so much, who so rapidly “draw up with the new pleugh lad,” and who do so very little harm when all is said. Jenny plays the part of a leal and brave lass in the siege of Tillietudlem, hunger and terror do not subdue her spirit; she is true, in spite of many temptations, to her Cuddie, and we decline to believe that she was untrue to his master and friend. Ikuse, no doubt, is a caricature, though Wodrow makes us acquainted with at least one Mause, Jean Biggart, who “all the winter over was exceedingly straitened in wrestling and prayer as to the Parliament, and said that still that place was brought before her, Our hedges are broken down!” (“Analecta,” ii. 173.) Surely even Dr. McCrie must have laughed out loud, like Lady Louisa Stuart, when Mause exclaims: “Neither will I peace for the bidding of no earthly potsherd, though it be painted as red as a brick from the tower o’ Babel, and ca’ itsel’ a corporal.” Manse, as we have said, is not more comic than heroic, a mother in that Sparta of the Covenant. The figure of Morton, as usual, is not very attractive. In his review, Scott explains the weakness of his heroes as usually strangers in the land (Waverley, Lovel, Mannering,