Osbaldistone), who need to have everything explained to them, and who are less required to move than to be the pivots of the general movement. But Morton is no stranger in the land. His political position in the juste milieu is unexciting. A schoolboy wrote to Scott at this time, “Oh, Sir Walter, how could you take the lady from the gallant Cavalier, and give her to the crop-eared Covenanter?” Probably Scott sympathised with his young critic, who longed “to be a feudal chief, and to see his retainers happy around him.” But Edith Bellenden loved Morton, with that love which, as she said, and thought, “disturbs the repose of the dead.” Scott had no choice. Besides, Dr. McCrie might have disapproved of so fortunate an arrangement. The heroine herself does not live in the memory like Di Vernon; she does not even live like Jenny Dennison. We remember Corporal Raddlebanes better, the stoutest fighting man of Major Bellenden’s acquaintance; and the lady of Tillietudlem has admirers more numerous and more constant. The lovers of the tale chiefly engage our interest by the rare constancy of their affections. The most disputed character is, of course, that of Claverhouse. There is no doubt that, if Claverhouse had been a man of the ordinary mould, he would never have reckoned so many enthusiastic friends in future ages. But Beauty, which makes Helen immortal, had put its seal on Bonny Dundee. With that face “which limners might have loved to paint, and ladies to look upon,” he still conquers hearts from his dark corner above the private staircase in Sir Walter’s deserted study. He was brave, he was loyal when all the world forsook his master; in that reckless age of revelry he looks on with the austere and noble contempt which he wears in Hell among the tippling shades of Cavaliers. He died in the arms of victory, but he lives among The chiefs of ancient names Who swore to fight and die beneath the banner of King James, And he fell in Killiecrankie Pass, the glory of the Grahames. Sentiment in romance, not in history, may be excused for pardoning the rest. Critics of the time, as Lady Louisa Stuart reminds Sir Walter, did not believe the book was his, because it lacked his “tedious descriptions.” The descriptions, as of the waterfall where Burley had his den, are indeed far from “tedious.” There is a tendency in Scott to exalt into mountains “his own grey hills,” the _bosses verdatres_ as Prosper Merimee called them, of the Border. But the horrors of such linns as that down which Hab Dab and Davie Dinn “dang the deil” are not exaggerated. “Old Mortality” was the last novel written by Scott before the malady which tormented his stoicism in 1817-1820. Every reader has his own favourite, but few will place this glorious tale lower than second in the list of his incomparable romances. ANDREW LANG. INTRODUCTION TO THE TALES OF MY LANDLORD.