Old New Zealand: A Tale of the Good Old Times: And a History of the War in the North against the Chief Heke, in the Year 1845 — John Shaqi
Old New Zealand: A Tale of the Good Old Times: And a History of the War in the North against the Chief Heke, in the Year 1845Maning, Frederick Edward
History
Old New Zealand: A Tale of the Good Old Times: And a History of the War in the North against the Chief Heke, in the Year 1845
Maning, Frederick Edward
Māori (New Zealand people) -- Social life and customs; New Zealand -- Description and travel
pace, the dark mass of armed men following close behind at full speed,
keeping their formation admirably, the ground shaking under them as
they rushed on. On come the two runners (the others are left behind
and disregarded). The pursuer gains upon his man; but they are fast
nearing the goal, where, according to Maori custom, the chase must
end. Run, "Sounding Sea;" another effort! your tribe are near in full
array, and armed for the war dance; their friendly ranks are your
refuge; run! run! On came the headlong race. When within about thirty
yards of the place where our tribe was now formed in a solid oblong,
each man kneeling on one knee, with musket held in both hands, butt to
ground, and somewhat sloped to the front, the pursuing native caught
at the shoulder of our man, touched it, but could do no more. Here he
must stop; to go farther would not be "correct." He will, however,
boast everywhere that he has touched the shoulder of the famous
"Sounding Sea." Our man has not, however, been caught, which would
have been a bad omen. At this moment the charging column comes
thundering up to where their man is standing; instantly they all kneel
upon one knee, holding their guns sloped before their faces, in the
manner already described. The _élite_ of the two tribes are now
opposite to each other, all armed, all kneeling, and formed in two
solid oblong masses, the narrow end of the oblong to the front. Only
thirty yards divide them; the front ranks do not gaze on each other;
both parties turn their eyes towards the ground, and with heads bent
downwards, and a little to one side, appear to listen. All is silence;
you might have heard a pin drop. The uproar has turned to a calm; the
men are kneeling statues; the chiefs have disappeared; they are in the
centre of their tribes. The pakeha is beginning to wonder what will be
the end of all this; and also to speculate on the efficacy of the buck
shot with which his gun is loaded, and wishes it was ball. Two minutes
have elapsed in this solemn silence, the more remarkable as being the
first quiet two minutes for the last two days and nights. Suddenly
from the extreme rear of the strangers' column is heard a scream--a
horrid yell. A savage, of herculean stature, comes, _mere_ in hand,
and rushing madly to the front. He seems hunted by all the furies.
Bedlam never produced so horrid a visage. Thrice, as he advances, he
gives that horrid cry; and thrice the armed tribe give answer with a
long-drawn gasping sigh. He is at the front; he jumps into the air,
shaking his stone weapon; the whites only of his eyes are visible,
giving a most hideous appearance to his face; he shouts the first
words of the war song, and instantly his tribe spring from the ground.
It would be hard to describe the scene which followed. The roaring
chorus of the war song; the horrid grimaces; the eyes all white; the
tongues hanging out; the furious yet measured and uniform
gesticulation, jumping, and stamping. I felt the ground plainly
Public-domain text, read in full here on John Shaqi.
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