Old Quebec, the city of ChamplainWeaver, Emily P. (Emily Poynton)
History
Old Quebec, the city of Champlain
Weaver, Emily P. (Emily Poynton)
Vieux-Québec (Québec, Québec) -- History
But the military suggestions of Quebec are not confined to historic
associations. You have them in concrete form, from the picturesque
Citadel—which, however, was not built till long after the latest
siege—to the little groups of cannon-balls, piled up in odd corners
like a young giant’s marbles. At any turn you may meet a red-coated
soldier or a blue-jacket from some visiting iron-clad; you may chance on
a long row of obsolete guns, or on an ancient mortar, now powerless for
mischief, with a great gag of iron in its throat; and here, there and
everywhere you will find tablets or monuments marking the spots once
deeply stained with the heart’s blood of the brave.
Yet, after all, this is but one aspect of Quebec, and not the brightest.
To some persons the fair old town speaks more insistently of peace than
of war; for so quaint is it, so old-world, that it seems, despite all
evidence to the contrary, that here life must have run on undisturbed
for centuries. To one brought up in another community, the unfamiliar
figures of quaintly-garbed nuns, long-robed priests, and brothers in
russet gowns, suggest the long-ago. The very markets, with all their
bustle and hurry of eager life, seem survivals of the past.
[Illustration: WOLFE'S COVE.
From an old drawing.]
[Illustration: Oxen at Beaupré.]
[Illustration: Falls of
St. Anne.]
A charm and a glamor hangs over the generally commonplace business of
buying and selling, getting gain and making provision for the humble
needs of the day. The whole thing seems like a picture-book. The groups
of voluble, good-humored habitant women; the queer little carts like
ladders mounted on wheels; the small pink pigs, squealing their hardest
as they are transferred from the crates of the vendors to the sacks of
the purchasers; the background of tall, irregular buildings climbing the
great cliff—these lend to the scene a color and character all its own.
Wandering from stall to stall, heaped with vegetables, home-grown
tobacco, dark slabs of maple sugar, home-woven towelling curtains or
carpets, firmly knit socks, elaborately plaited mats, you begin to
wonder at the patience and industry of this vivacious people, and you
will wonder at these qualities still more if you see the habitant at
home.
[Illustration: A Shrine in a garden.]
Public-domain text, read in full here on John Shaqi.
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