Old Tavern Signs: An Excursion in the History of HospitalityEndell, Fritz August Gottfried
History
Old Tavern Signs: An Excursion in the History of Hospitality
Endell, Fritz August Gottfried
Inn signs; Taverns (Inns)
An angel in beggar’s form brought St. Julian the good news of the
pardon of the sins of his youth. In a wild fit of anger the headstrong
young Julian had killed his parents. As atonement for his dreadful
crime he had done penance and built a refuge in which for many long
years he freely cared for all travelers who came his way. At last the
angel’s reward of hospitality was vouchsafed to him, and in memory of
his good works tavern-keepers chose him as their patron saint.
The stern Consistory of Geneva had evidently forgotten all these
beautiful legends and their deep symbolical meaning, when in the year
1647 it forbade a tavern-keeper to hang out an angel sign, “ce qui est
non accoutumé en cette ville et scandaleux.” Perhaps the grave city
fathers of Geneva remembered their by-gone student days in Paris, and
the handsome angel hostess in the city on the Seine, where a
contemporary of Louis XIV celebrated in song:--
“Un ange que j’idolâtre
À cause du bon vin qu’il a.”
The most attractive angel tavern that the author has met in his
travels is in the quiet little English town of Grantham, although he
has to confess, in the words of the German song:--
“Es giebt so manche Strasse, da nimmer ich marschiert,
Es giebt so manchen Wein, den ich nimmer noch probiert.”
It was a sharp autumn day. The wind that whistled about the lofty
cathedral of Lincoln had searched us to the marrow, and we were well
content after our ride from the station to find a kindly welcome at
the “Angel.” The façade of the dignified tavern, which once belonged
to the Knights’ Templars, and which saw the royal guests, King John
in 1213, and King Richard III in 1483, entertained within its walls,
is one of the most splendid architectural monuments that we saw in
England. As everywhere in this garden-land, the ivy winds its green
arms around the stiffer forms of the English Gothic, which often lack
the warm picturesqueness of architectural detail that makes the
wonderful charm of the French and the South German Gothic.
Over the lintel of the door of the tavern the sculptured angel shone
resplendent in his golden glory. A charming little balcony rested on
his wings and his hands held out a crown of hospitable welcome to
royal and common guests alike. All these winged messengers of
hospitality seem to say in the words of the Old Testament: “The
stranger that dwelleth with you shall be unto you as one born among
you, and thou shalt love him as thyself: for ye were strangers in the
land of Egypt.”
The bitter experience of their own distress in a strange land planted
in the hearts of the Israelitish people a kindly feeling toward the
stranger. For all that, much was permitted in dealing with a stranger
which was forbidden in the case of a brother Israelite. The stranger
might be made to pay interest, and it was no infraction of the Mosaic
Law to make him and his children men-servants and maidservants.
Public-domain text, read in full here on John Shaqi.
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