Of Oliver's father little is known; but his portrait testifies that he was a man of sober Puritanism, not much given to any form of spiritual enthusiasm--very unlike his elder brother, Sir Oliver, who had inherited not only the estate, but the splendid ways of his father, Sir Henry Cromwell--the Golden Knight--and who, after running through his property, was compelled to sell his land and to retire into a more obscure position. As the little Oliver grew up, he had before his eyes the types of the future Cavalier and Roundhead in his own family. So far as parental influence could decide the question, there could be no doubt on which side the young Oliver would take his stand. His education was carried on in the free school of the town, under Dr. Beard, the author of _The Theatre of God's Judgments Displayed_, in which a belief in the constant intervention of Providence in the punishment of offenders was set forth by numerous examples of the calamities of the wicked. Though Oliver afterwards learned to modify the crudeness of this teaching, the doctrine that success or failure was an indication of Divine favour or disfavour never left him, and he was able, in the days of his greatness, to point unhesitatingly to the results of Naseby and Worcester as evidence that God Himself approved of the victorious cause. In 1616 Cromwell matriculated at Sidney Sussex College, Cambridge, where his portrait now adorns the walls of the College hall. After a sojourn of no more than a year, he left the University, probably--as his father died in that year--to care for his widowed mother and his five sisters, he himself being now the only surviving son. It is said that not long afterwards he settled in London to study law, and though there is no adequate authority for this statement, it derives support from the fact that he found a wife in London, marrying in 1620, at the early age of twenty-one, Elizabeth Bourchier, the daughter of a City merchant. The silence of contemporaries shows that, in an age when many women took an active part in politics, she confined herself to the sphere of domestic influence. The one letter of hers that is preserved displays not merely her affectionate disposition, but also her helpfulness in reminding her great husband of the necessity of performing those little acts of courtesy which men engaged in large affairs are sometimes prone to neglect. She was undoubtedly a model of female perfection after the Periclean standard.