Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
Games in honor of the dead tended to become periodic. The tomb of the
honored warriors became a rallying-point for neighboring people,
who would convene to see the games. While some of these games were
destined never to transcend local importance, others developed
into the Panhellenic festivals. As the worship of ancestors became
metamorphosed into that of heroes, the games became part of hero cults,
which antedated those of the Olympian gods. But as the gods gradually
superseded the heroes in the popular religion, they usurped the
sanctuaries and the games held there, which had long been a part of the
earlier worship. We are not here concerned, however, with the difficult
question of the origin of funeral games. They may have taken the place
of earlier human sacrifices, which would explain the armed fight at the
games of Patroklos and its appearance on archaic vases and sarcophagi;
or they may have commemorated early contests of succession, which
would explain many mythical contests like the chariot-race between
Pelops and Oinomaos for Hippodameia, or the wrestling match between
Zeus and Kronos. In any case such games would never have attained the
importance which they did attain in Greece, if it had not been for
the athletic spirit and love of competition so characteristic of the
Hellenic race. Whatever their origin, therefore, there is little doubt
that out of them developed the great games of historic Greece. The
constant relationship between Greek religion and Greek athletics can be
explained in no other way.[76]
EARLY HISTORY OF THE FOUR NATIONAL GAMES.
Public-domain text, read in full here on John Shaqi.
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