Olympic Victor Monuments and Greek Athletic ArtHyde, Walter Woodburn
History
Olympic Victor Monuments and Greek Athletic Art
Hyde, Walter Woodburn
Olympics; Sculpture, Greek; Sports -- Greece
Just as soldiers on returning from successful campaigns might dedicate
their spoils of victory, victors in athletic contests might consecrate
to the gods their prizes. In the Homeric poems we have no certain
evidence of such a custom. A Delphic tripod was ascribed to Diomedes
and possibly this was a prize won at the funeral games in honor of
Patroklos.[159] The first literary example of such a dedication of
which we are certain is the prize tripod dedicated to the Helikonian
Muses by Hesiod.[160] Frequently such dedications were tripods; thus
a Pythian tripod was dedicated to Herakles at Thebes by the Arkadian
musician Echembrotos in 586 B. C.;[161] a tripod was dedicated in the
sixth century B. C. or perhaps earlier at Athens for some acrobatic or
juggling trick;[162] a victorious boxer dedicated one at Thebes.[163]
It became customary by the fifth century B. C. for victors at the
_Triopia_ to offer prize tripods to Apollo.[164] Tripods or fragments
of them have been found at Olympia[165] and elsewhere. Many other
objects were also offered.[166] Sometimes a victor would dedicate the
object by which he won his victory instead of his prize, just as a
soldier might dedicate his arms instead of his spoils of war. Certain
types of victors, _e. g._, those especially in running, the race in
armor, singing, etc., would be excluded from making such dedications
owing to the nature of the contest. Pausanias[167] tells us, for
instance, that twenty-five bronze shields were kept in the temple
of Zeus at Olympia for the use of hoplite runners, which shows that
these runners did not use all at least of their own armor. In some
cases diskoi were lent to pentathletes. Pausanias[168] says that three
quoits were kept in the treasury of the Sikyonians at Olympia for use
in the pentathlon. There are, however, as we shall see, instances of
quoits being dedicated by victors. The pentathlete might consecrate
either his diskos, javelin, or jumping-weights.[169] Perhaps the huge
red-sandstone block of the sixth century B. C., weighing 315 pounds and
inscribed with the name and feat of Bybon, may have been such an _ex
voto_,[170] since Pausanias says the contestants at Olympia originally
used stones for quoits.[171] A stone, weighing 480 kilograms (about
1,056 pounds), was found on Thera, inscribed “Eumastos raised me from
the ground.”[172] Poplios (Publius) Asklepiades, who won the pentathlon
at Olympia in the third century A. D.,[173] dedicated a bronze diskos
to Zeus, showing the old custom was kept up till late. Many bronze
diskoi have been found in the excavations of the Altis.[174] We have
instances of the dedication of jumping-weights (ἁλτῆρες).[175] Examples
of dedicated strigils have been found at Olympia.[176] Torches were
dedicated at Athens.[177] Actors dedicated their masks,[178] while
some of the ivory lyres and plectra conserved in the Parthenon were
probably offerings of musical victors at the Panathenaic games.[179]
Public-domain text, read in full here on John Shaqi.
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