Art criticism; Dramatic criticism; Literature -- History and criticism
To recall a little the origin of the book--the circumstances under
which Wordsworth and Coleridge planned and produced it. It was in the
Nether Stowey and Alfoxden time, when the men were neighbours, three
miles of green Somerset country dividing the home of Coleridge from
the home of Wordsworth. I saw the place--that is, the neighbourhood,
and Coleridge’s home--a few years since, much in that summer weather
which tempted their own more prolonged wanderings, which followed
them in that excursion to ‘Linton and the Valley of Stones,’ which
was the first cause, Wordsworth says, of the issue of _Lyrical
Ballads_. Plain living and high thinking they practised then, and from
necessity as much as from choice. A yeoman of Somerset would hardly
have lived at that time--and certainly he would not live to-day--in
the cottage which was Coleridge’s. Straight from the country road you
step to its door: in an instant you are in the small square parlour,
with large kitchen-like fireplace, with one, or, I think, two small
windows, and a window-seat from which, on days of evil weather, the
stay-at-home commanded the prospect of the passing rustic as he
walked abroad--perhaps of the occasional traveller on his way to the
village inn. But generally, fair weather or foul, the spectacle was
scanty--time was marked by shifting light and changes in the colour
of the sky, or by the movements of beasts at milking-time, or at
hours of rest and of labour. Never, I should say, was one hour merely
frittered away by either the poet who lived or the poet who visited
in that humble cottage. Never a call of ceremony: an interview that
bears no fruit--a social necessity, the continual plague of cities.
Never an hour that did not tell in some way, by active work, or by
‘wise passiveness,’ upon the mind that was to be cultivated and the
character that was to be developed. Such a life, led not in actual
isolation, but in narrowed and selected companionship, was perhaps
about the best preparation men could make for work of the concentrated
and the self-possessed power of the ‘Ancient Mariner,’ and of the
serene profundity of the lines connected with Tintern Abbey. This was
the place, and these were the conditions, for the quietude of life and
thought felt as the greatest necessity of existence by Wordsworth, ‘a
worshipper of Nature,’ ‘unwearied in that service.’
Public-domain text, read in full here on John Shaqi.
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