On chloroform and other anæsthetics: their action and administrationSnow, John
History
On chloroform and other anæsthetics: their action and administration
Snow, John
Anesthetics; Chloroform; Snow, John, 1813-1858
As an author, his style was plain, clear, and smoothly elegant. His
argument was always carefully studied and as carefully rendered. He sent
manuscript to the printer which required scarcely a letter of
correction. Both in writing and speaking, he made the expression of
truth his first business. Neither provocation nor temptation could ever
lead him aside from that principle. His readings were select. He chiefly
read scientific works, old and new. He had great relish for some of the
old medical writers—the masters in physic. He had read Bacon, but agreed
with Harvey’s criticism that Bacon wrote science like a lord chancellor.
He had a notion that there had been a history long previous to any we
know of from existing records, in which the sciences generally had risen
to a greater perfection than they are at this present. His conversance
with Sprengel’s _History of Medicine_ had possibly led him to this
opinion. He was fond of general history also, but studied it little. He
never read novels, because the hours devoted to them were, he felt,
hours thrown away. At the same time, he enjoyed as much as any man
ridiculous life-pictures naturally cast. When he came to see me, and
leisure was with us, I used often to read to him some of the more
amusing passages from Dickens and Thackeray, or from one of the older
writers, as Swift. It was a new world to him, and provoked great fun. He
would ask to have passages read over again, that he might better realize
the conception. He enjoyed vastly any anecdotes about the old men in
physic, the Cullens and Meads and Arbuthnotts and Harveys. Any such
anecdotes he took into his memory and never forgot them.
On such occasions I would, in ridiculous mood, sing him absurd songs to
any tune, two or three tunes, or to no tune at all, and without any
pretence at voice. At first he would listen with his hands flat together
and with a perfect melancholy on his face, as if he could hear it no
longer. Bit by bit he would relax, and at last get into a continued
laughter. Then I would stop, and he would begin to open out his list of
anecdotes, professional and general, upon which the laughter came over
to me with compound interest, for of men enriched with stores of droll
stories, few could equal him. Nor was he inventive in these narrations;
he had simply observed character shrewdly, and described it in its
humorous phases. If he had written as he related, he would have ranked
as one of the humorists of the age of no second order.
He thought severely of the reviewer’s art, and would never of late
review any book critically. If a book were good, it carried the review
of its own merits. If it were bad, it were better left untouched. He, at
all events, with so much original work before him, could not stop to
criticize his compeers or their transactions. Let the dead bury their
dead; he must march with the living while life gave power.
Public-domain text, read in full here on John Shaqi.
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