of geographical distribution or even of the migration of birds lead
on and on to speculations regarding lost continents, sunken islands,
or bridges across ancient seas. Every nesting bird, every ant-hill
or spider’s web displays its psychological problems of instinct or
intelligence. Above all, in things both great and small, the naturalist
is rightfully impressed, and finally engrossed, by the peculiar beauty
which is manifested in apparent fitness or “adaptation,”—the flower for
the bee, the berry for the bird.
Time out of mind, it has been by way of the “final cause,” by the
teleological concept of “end,” of “purpose,” or of “design,” in one or
another of its many forms (for its moods are many), that men have been
chiefly wont to explain the phenomena of the living world; and it will
be so while men have eyes to see and ears to hear withal. With Galen,
as with Aristotle, it was the physician’s way; with John Ray, as with
Aristotle, it was the naturalist’s way; with Kant, as with Aristotle,
it was the philosopher’s way. It was the old Hebrew way, and has its
splendid setting in the story that God made “every plant of the field
before it was in the earth, and every herb of the field before it
grew.” It is a common way, and a great way; for it brings with it a
glimpse of a great vision, and it lies deep as the love of nature in
the hearts of men.
Half overshadowing the “efficient” or physical cause, the argument of
the final cause appears in eighteenth century physics, in the hands of
such men as Euler[2] and Maupertuis, to whom Leibniz[3] had passed it
on. Half overshadowed by the mechanical concept, it runs through Claude
Bernard’s _Leçons sur les {4} phénomènes de la Vie_[4], and abides in
much of modern physiology[5]. Inherited from Hegel, it dominated Oken’s
_Naturphilosophie_ and lingered among his later disciples, who were
wont to liken the course of organic evolution not to the straggling
branches of a tree, but to the building of a temple, divinely planned,
and the crowning of it with its polished minarets[6].
Public-domain text, read in full here on John Shaqi.
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