Chemical apparatus; Electroplating; Glass blowing and working; Glass coatings; Glass grinding and polishing; Lampwork; Mirrors
I suppose a small book might easily be written on this subject but
what I have to say--in accordance with the limitation imposed--will
be brief. For working lead glass I never use anything but an oxygas
blow-pipe, except for very large work, and should never dream of using
anything else. Of course, to a student who requires practice in order
to attain dexterity this plan would be a good deal too dear. My
advice to such a one is--procure good soda glass, and work it by
means of a modification of a gas blow-pipe, to be described directly.
The Fletcher's blow-pipes on long stems are generally very
inconvenient. The flame should not be more than 5 or 6 inches from
the working table at most, especially for a beginner, who needs to
rest his arms on the edge of the table to secure steadiness.
The kind of oxygas blow-pipe I find most convenient is indicated in
the sketch. (Fig. 2) I like to have two nozzles, which will slip on
and off, one with a jet of about 0.035 inch in diameter, the other of
about double this dimension. The oxygen is led into the main tube of
the blow-pipe by another tube of much smaller diameter, concentric
with the main tube (Fig. 3, at A). The oxygen is mixed with the gas
during its escape from the inner tube, which is pierced by a number of
fine holes for the purpose, the extreme end being closed up. The
inner tube may run up to within half an inch of the point where the
cap carrying the nozzle joins the larger tube.
Fig. 2.
Fig. 3.
If it is desired to use the blow-pipe for working glass which is
already fixed in position to a support, it will be found very
advantageous to use a hooked nozzle. The nozzle shown in the sketch
is not hooked enough for this work, which requires that the flame be
directed 'backwards towards the worker. With a little practice such a
flame may be used perfectly well for blowing operations on the table,
as well as for getting at the back of fixed tubes.
To warm up the glass, the gas supply is turned full on, and enough
oxygen is allowed to pass in to clear the flame. The work is held in
front of, but not touching, the flame, until it is sufficiently hot to
bear moving into the flame itself. The, work is exposed to this flame
until, in the case of lead glass, traces of reduction begin to appear.
When this point is reached the oxygen tap is thrown wide open. I
generally regulate the pressure on the bags, so that under these
circumstances the flame is rather overfed with oxygen. This condition
is easily recognised, as follows. The flame shrinks down to a very
small compass, and the inner blue cone almost disappears; also
flashes of yellow light begin to show themselves--a thing which does
not occur when the proportions of the gases are adjusted for maximum
heating effect.
Public-domain text, read in full here on John Shaqi.
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