On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
“It’s a thin joke, Pauline! You can’t monkey us in that fashion! I
suppose you want to pretend that the ghost of some old pirate wrote it
down in your book so as to start us off on a Treasure Island hunt.”
Stevenson’s romance was then in its first success and Geoffrey had just
been reading it. “Of course, you wrote it deliberately--what nonsense!”
She turned round upon him, her eyes filling with tears in the vehemence
of her protest.
“Geoffrey, I couldn’t!--I couldn’t write reversed like that if I tried!”
“Oh, yes, you could,” asserted Geoffrey, confidently. “It’s easy
enough.”
“Supposing we all try,” said I, curious to test its feasibility. I felt
considerably puzzled. Pauline was not at all the sort of girl one would
expect to persist in such a pointless sort of practical joke as this,
and persistent she was--tearful like a child unjustly accused of a
crime of which it protests innocence.
Her mother and father renounced their game of cribbage and bent their
heads together over the enigmatic screed, without proffering an
opinion. It was evident that they did not wish to hurt their daughter’s
feelings by open scepticism. They would have humoured her in anything,
no matter how absurd.
I reiterated my suggestion and it was accepted in the spirit of a
parlour-game. A line from a book was selected, we all tried--and we all
failed hopelessly. None of us got more than two or three consecutive
letters right. It is not so easy as it sounds. Try it for yourselves!
At that time, although spiritualism was a great craze in America,
and D. D. Home, Eglinton, and other famous mediums, were arousing
enormous interest and controversy in England, automatic script was
an uncommon phenomenon. Table-rapping, levitation, slate-writing and
materialization were the wonders in vogue--and I had then never heard
of the “mirror-writing” which has since become a frequent form of
automatic expression. Neither, of course, _à fortiori_, had the young
girl who had just produced this mysterious specimen.
We all felt puzzled and impressed at our failure to imitate
deliberately the reversed script. Old Vandermeulen picked up the diary
and read the reflection of the scrawled page in the wall-mirror.
“Well, it’s sure strange!” he said in his twangy drawl. “Geoff! You
write this down in a straightaway hand and we’ll see if we can get any
sense out of it. I guess there’s some meaning in it. Pauline ain’t
joking.”
Geoffrey obeyed and read out the script again.
“‘_lucia 1324 N 8127 W katalina sculle point SWbS 3_ _trees digge jno
dawson youre turne_’--It’s exactly like the directions to a pirate’s
buried treasure, Father!” he added, excitedly. “Skull and crossbones
and all! But of course that’s ridiculous! Though I can’t understand how
Pauline could have written it like she did!”
Public-domain text, read in full here on John Shaqi.
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