On the BorderlandAustin, F. Britten (Frederick Britten)
Science
On the Borderland
Austin, F. Britten (Frederick Britten)
English fiction -- 20th century; Paranormal fiction; Short stories, English
“And I did not know even that I was writing!” asseverated Pauline, “let
alone know what I wrote! It was just as if my hand did not belong to
me--it was a sort of numbness that made me look down.”
“Tear it up, dear!” implored her mother anxiously. “I am sure it comes
from the Devil!” Mrs. Vandermeulen belonged to a particularly strict
little sect and was always ready to discern the immediate agency of
the Evil One.
“Devil or not!” said old Vandermeulen. “I guess if there’s any buried
treasure lying around here, I’m going to peg out my claim on it.”
He turned to me. “Young man, was there ever any pirates about these
parts?” The old ruffian was quite illiterate; had never, I believe,
read a book in his life.
“Why, yes,” I replied, “from the end of the sixteenth century these
seas were the chief haunt of the buccaneers and, after them, of the
pirates who were not entirely suppressed until well in the eighteenth
century. There must be any amount of their hidden treasure buried in
these islands.”
“You don’t say!” he exclaimed, his avaricious old eyes lighting up.
“And here have I been running this yacht up and down these parts for
five years at a dead loss!” His disgust would have been comic, were
it not for the ugly, ruthless lust of gold which looked suddenly out
of his face. “Guess I’m going to quit this fooling around right away!
I don’t know and don’t care if it was the Devil himself wrote this
specification in Pauline’s book--I’m darned sure she didn’t write it
herself--the handwriting’s different, d’you see?”--It was, as a matter
of fact, compared with the previous pages, quite another hand--hers
was an upright, rounded schoolgirl calligraphy, this was a cursive
old-fashioned script inclined well forward. “So as we’ve got nothing
else to start upon, we may as well see if there’s anything to it.” He
tossed Geoffrey’s transcription across to me. “What do you make of it,
young man?” he asked, with the sneering condescension he accorded to my
superior literary attainments.
I took it, rather amused at the old scoundrel’s simplicity. That there
was any authentic meaning in Pauline’s scrawl seemed to me wildly
improbable. I was a frank materialist in those days and had Carpenter’s
formula of “unconscious cerebration” glibly ready to cover up anything
psychologically abnormal. However, I considered the sheet of paper with
attention.
Public-domain text, read in full here on John Shaqi.
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