5th. When the mirror is thoroughly dry, and no drops of water remain
about the edges, lay it upon its back on a thoroughly dusted table.
Take a piece of the softest thin buckskin, and stuff it loosely with
cotton to make a rubber. Avoid using the edge pieces of a skin, as they
are always hard and contain nodules of lime.
Go gently over the whole silver surface with this rubber in circular
strokes, in order to commence the removal of the rosy golden film, and
to condense the silver. Then having put some very fine rouge on a piece
of buckskin laid flat on the table, impregnate the rubber with it.
The best stroke for polishing is a motion in small circles, at times
going gradually round on the mirror, at times across on the various
chords (Fig. 2). At the end of an hour of continuous gentle rubbing,
with occasional touches on the flat rouged skin, the surface will be
polished so as to be perfectly black in oblique positions, and, with
even moderate care, scratchless. The process is like a burnishing. Put
the rubber carefully away for another occasion.
[Illustration: Fig. 2. Polishing Strokes.]
The thickness of the silver thus deposited is about 1/200,000 of an
inch. Gold leaf, when equally transparent, is estimated at the same
fraction. The actual value of the amount on a 15-1/2 inch mirror is not
quite a cent--the weight being less than 4 grains (239 milligrammes on
one occasion when the silver was unusually thick), if the directions
above given are followed.
Variations in thickness of this film of silver on various parts of the
face of the mirror are consequently only small fractions of 1/200,000
of an inch, and are therefore of no optical moment whatever. If a glass
has been properly silvered, and shows the sun of the same color and
intensity through all parts of its surface, the most delicate optical
tests will certainly fail to indicate any difference in figure between
the silver and the glass underneath. The faintest peculiarities of
local surface seen on the glass by the method of M. Foucault, will be
reproduced on the silver.
The durability of these silver films varies, depending on the
circumstances under which they are placed, and the method of
preparation. Sulphuretted hydrogen tarnishes them quickly. Drops of
water may split the silver off. Under certain circumstances, too,
minute fissures will spread all over the surface of the silver, and it
will apparently lose its adhesion to the glass. This phenomenon seems
to be connected with a continued exposure to dampness, and is avoided
by grinding the edge of the concave mirror flat, and keeping it covered
when not in use with a sheet of flat plate glass. Heat seems to have
no prejudicial effect, though it might have been supposed that the
difference in expansibility would have overcome the mutual adhesion.
Public-domain text, read in full here on John Shaqi.
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