episodes, and by representing Christ as superior to human suffering. It is Luke's Jesus who has won our hearts. THE TOUCH OF PARISIAN ROMANCE. Luke's romantic shrinking from unpleasantness, and his sentimentality, are illustrated by his version of the woman with the ointment. Matthew and Mark describe it as taking place in the house of Simon the Leper, where it is objected to as a waste of money. In Luke's version the leper becomes a rich Pharisee; the woman becomes a Dame aux Camellias; and nothing is said about money and the poor. The woman washes the feet of Jesus with her tears and dries them with her hair; and he is reproached for suffering a sinful woman to touch him. It is almost an adaptation of the unromantic Matthew to the Parisian stage. There is a distinct attempt to increase the feminine interest all through. The slight lead given by Mark is taken up and developed. More is said about Jesus's mother and her feelings. Christ's following of women, just mentioned by Mark to account for their presence at his tomb, is introduced earlier; and some of the women are named; so that we are introduced to Joanna the wife of Chuza, Herod's steward, and Susanna. There is the quaint little domestic episode between Mary and Martha. There is the parable of the Prodigal Son, appealing to the indulgence romance has always shown to Charles Surface and Des Grieux. Women follow Jesus to the cross; and he makes them a speech beginning "Daughters of Jerusalem." Slight as these changes may seem, they make a great change in the atmosphere. The Christ of Matthew could never have become what is vulgarly called a woman's hero (though the truth is that the popular demand for sentiment, as far as it is not simply human, is more manly than womanly); but the Christ of Luke has made possible those pictures which now hang in many ladies' chambers, in which Jesus is represented exactly as he is represented in the Lourdes cinematograph, by a handsome actor. The only touch of realism which Luke does not instinctively suppress for the sake of producing this kind of amenity is the reproach addressed to Jesus for sitting down to table without washing his hands; and that is retained because an interesting discourse hangs on it. WAITING FOR THE MESSIAH.