On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
It was a dingy-looking place, up a back street, with a barber’s shop
on one side, and a coal shed on the other. A glorious spring sunshine
made it look, by contrast, still more uninviting, and I likened it
to the entrance to the enchanted palace in the fairy tales, where the
gloomier the portal through which the prince passes, the more gorgeous
the halls beyond. This was before I had seen the inside.
But it wouldn’t do for me to stop there meditating. It was already two
minutes past eleven and the rest of the company would be waiting for
me.
I laid my hand upon the latch, and----
A moment, please. Before I throw open that door and let daylight
in upon the little world behind, let me offer a word or two of
preparatory explanation.
The theatrical world is a big world. From one of the leading London
theaters to a traveling booth (I intend no slighting allusion to our
talented American cousin) is a wide stretch, and embraces a great
variety. My experience was confined to three or four of these
varieties, and by no means extended to the whole. My short career
was passed among the minor London theaters, and second and third rate
traveling companies; and it is of these, and these only, that I shall
speak. But of these--of what came under my actual observation, that
is--I shall speak freely, endeavoring to record things exactly as I
found them--nothing extenuating, nor setting down aught in malice. It
may be that, in the course of my comments, I shall think it necessary
to make a few more or less sensible and original remarks; to tell
actors and actresses what they ought to do, and what they ought not
to do; to explain to managers how they ought to manage their own
business; and to give good advice generally all round. Therefore, at
the outset, I wish to be clearly understood that, when so doing, I
have in mind only that part of the theatrical world with which I am
acquainted. As regards such theaters as, for example, the Lyceum or
the St. James’s, they are managed quite as well, perhaps, as I could
manage them myself, and I have no fault to find with them. Even if I
had, I should not do so here, for in these reminiscences I intend
to talk only about what I understand--an eccentric resolution for an
author, I admit; but no matter, I like to be original now and then.
With this understanding, we will push back the door and enter.
I found a wheezy little old man inside, boxed up behind a glass
partition, toasting a bloater before a small fire. On that morning, I
felt kindly disposed toward all living things, and I therefore spoke
kindly, even to this poor old buffer. I said:
“Good-morning. It’s a fine day.”
He said, “Shut the door, can’t yer; or else get outside.”
Public-domain text, read in full here on John Shaqi.
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