On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
I myself caught it in the usual course. I was at the theater one
evening to see _Romeo and Juliet_ played, when it suddenly flashed
across me that that was my vocation. I thought all acting was making
love in tights to pretty women, and I determined to devote my life
to it. When I communicated my heroic resolution to my friends, they
reasoned with me. That is, they called me a fool; and then said that
they had always thought me a sensible fellow, though that was the
first I had ever heard of it.
But I was not to be turned from my purpose.
I commenced operations by studying the great British dramatists. I was
practical enough to know that some sort of preparation was necessary,
and I thought that, for a beginning, I could not do better than this.
Accordingly, I read through every word of Shakespeare,--with notes,
which made it still more unintelligible,--Ben Jonson, Beaumont and
Fletcher, Sheridan, Goldsmith, and Lord Lytton. This brought me into a
state of mind bordering on insanity. Another standard dramatist, and
I should have gone raving mad: of that I feel sure. Thinking that
a change would do me good, I went in for farces and burlesques, but
found them more depressing than the tragedies, and the idea then began
to force itself upon me that, taking one consideration with another,
an actor’s lot would not be a happy one. Just when I was getting
most despondent, however, I came across a little book on the art of
“making-up,” and this resuscitated me.
I suppose the love of “making-up” is inherent in the human race. I
remember belonging, when a boy, to “The West London United Concert
and Entertainment Association.” We used to meet once a week for the
purpose of regaling our relations with original songs and concertina
solos, and on these occasions we regularly burnt-corked our hands
and faces. There was no earthly reason for doing so, and I am even
inclined to think we should have made our friends less unhappy if
we had spared them this extra attraction. None of our songs had
the slightest reference to Dinah. We didn’t even ask each other
conundrums; while, as for the jokes, they all came from the audience.
And yet we daubed ourselves black with as much scrupulousness as if
it had been some indispensable religious rite. It could only have been
vanity.
Public-domain text, read in full here on John Shaqi.
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