On the Stage--and Off: The Brief Career of a Would-Be Actor — John Shaqi
On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
General
On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
JIM (_in a rage_), “_I_ don’t know anything about you and your
rehearsal! That’s not my business, is it? I do my own work; I don’t
do other people’s work! I don’t want to be told how to do my work!”
(_Pours forth a flood of impassioned eloquence for the next ten
minutes, during which time the hammering is also continued. Complete
collapse of STAGE MANAGER, and suspension of rehearsal. Subsequent
dryness on the part of JIM._)
MAN. WIFE (_when rehearsal is at last resumed_). “Just try back that
last bit, will you, for positions?”
_The last two or three movements gone over again._ Then:
STAGE MAN. “We all three struggle toward door. Stand back, old man!
I do not wish to harm thee!--I push you aside. ‘Back, or it will be
murder!’--This must be well worked up. ‘Who dares to stay me?’
(_to LOW COMEDY_). “There’ll be a bar to bring you on. You know the
business.”
LOW COM. (_coming forward_). “’ Shure and I will.’”
_Scrape from fiddle._
STAGE MAN. “Well then there’s our struggle.” (_STAGE MANAGER
and LOW COMEDY take hold of each other’s shoulders, and turn
round_). “I’ll have the book in the left-hand side.”
LOW COM. “‘Ah, begorra, shure he’s clane gone; but, be jabers, I’ve
got this ‘“ (_holding up an imaginary pocket-book_), “‘and it’s worth
a precious deal more than he is.’”
STAGE MAN. “End of first act.--Tommy, go and fetch me half a pint of
stout.”
CHAPTER VI. Scenery and Supers
[Illustration: 9067]
E had five rehearsals for this play.
“What the dickens do they want with with so many?” was the indignant
comment of the First Old Woman. “Why, they’ll rehearse it more times
than they’ll play it.”
I thought five a ridiculously small number at the time, especially
when I remembered my amateur days, and the thirty or so rehearsals,
nearly all full-dressed ones, required for a short farce; but there
came a time when I looked upon two as betokening extraordinary anxiety
about a production. In the provinces, I have known a three-act comedy
put on without any rehearsal at all, and with half the people not
even knowing the patter. “Business” was arranged in whispered
consultations, while the play was proceeding, and when things got into
a more than usually glorious muddle, one or other of the characters
would come off the stage and have a look at the book. As for the
prompter, after vainly struggling to keep them to one act at a time,
and to dissuade the hero from making love to the wrong girl, he came
to the conclusion that he was only in the way, and so went and had
a quiet pipe at the stage-door, and refrained from worrying himself
further.
Public-domain text, read in full here on John Shaqi.
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