One Hundred Books Famous in English Literature: With Facsimiles of the Title-Pages — John Shaqi
One Hundred Books Famous in English Literature: With Facsimiles of the Title-PagesGrolier Club
History
One Hundred Books Famous in English Literature: With Facsimiles of the Title-Pages
Grolier Club
Best books -- Great Britain; English literature -- First editions -- Bibliography; English literature -- History and criticism; Title pages
books to which a nation stands heir, it is man that survives,--the
aspect of an epoch, the phase of a religion, the mood of a generation,
the taste, sentiment, thought, pursuit, entertainment, of a historic and
diversified people. There is nothing accidental in the fact that of
these hundred books forty-six bear no author's name upon the title-page;
nor is this due merely to the eldest style of printing, as with Chaucer,
Gower, Malory, Langland; nor to the inclusion of works by several
hands--the Book of Common Prayer, the Mirror for Magistrates, the
Tatler, the Spectator, the Reliques, the Federalist; nor to the use of
initials, as in the case of Donne and Mrs. Browning. The characteristic
is constant. It is interesting to note the names thus self-suppressed:
Sackville, Spenser, Bacon, Burton, Browne, Walton, Butler, Dryden,
Locke, Defoe, Swift, Pope, Richardson, Gray, Franklin, Goldsmith,
Sterne, Smollett, Sheridan, White, Wordsworth, Irving, Austen, Scott,
Lamb, Cooper, Carlyle, Emerson, Brontë, Lowell, Tennyson, George Eliot,
Fitzgerald.
The broad and various nationality of English literature is a condition
precedent to greatness, and underlies its mighty fortune. Its chief
glory is its continuity, by which it exceeds the moderns, and must, with
ages, surpass antiquity. Literary genius has been so unfailing in the
English race that men of this blood live in the error that literature,
like light and air, is a common element in the life of populations.
Literature is really the work of selected nations, and with them is not
a constant product. Many nations have no literature, and in fertile
nations there are barren centuries. The splendid perpetuity of Greek
literature, which covered two thousand years, was yet broken by lean
ages, by periods of desert dearth. In the English, beginning from
Chaucer (as is just, since he is our Homer, whatever ages went before
Troy or Canterbury), there have been reigns without a poet; and Greek
example might prepare the mind for Alexandrian and Byzantine periods in
the future, were it not for the grand combinations of world-colonies and
world-contacts which open new perspectives of time for which the mind,
as part of its faith in life, requires destinies as large. The gaps,
however, were greatest at the beginning, and grow less. One soil, one
government, one evenly unfolded civilization--long life in the settled
and peaceful land--contribute to this continuity of literature in the
English; but its explanation lies in the integrity of English nurture,
and this is essentially the same in all persons of English blood. Homer
was not more truly the school of Greece than the Bible has been the
school of the English. It has overcome all external change in form, rule
and institution, fused conventicle and cathedral, and in dissolving
separate and narrow bonds of union has proved the greatest bond of all,
and become like a tie of blood. English piety is of one stock, and
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