One Hundred Books Famous in English Literature: With Facsimiles of the Title-PagesGrolier Club
History
One Hundred Books Famous in English Literature: With Facsimiles of the Title-Pages
Grolier Club
Best books -- Great Britain; English literature -- First editions -- Bibliography; English literature -- History and criticism; Title pages
through every book of holy living where its treasures are laid up, there
blows the breath of one Spirit. Herbert and Bunyan are peers of a faith
undivided in the hearts of their countrymen. It does not change, but is
the same yesterday, to-day and forever. On the secular side, also,
English nurture has been of the like simple strain. The instinct of
adventure, English derring-do, has never failed. Holinshed and Hakluyt
were its chroniclers of old; and from the Morte d'Arthur to Sidney, from
the Red-Cross Knight to Ivanhoe, from Shakespeare's Henry to Tennyson's
Grenville, genius has not ceased to stream upon it, a broad river of
light. The Word of God fed English piety; English daring was fed upon
the deeds of men. Hear Shakespeare's Henry: "Plutarch always delights me
with a fresh novelty. To love him is to love me; for he has been long
time the instructor of my youth. My good mother, to whom I owe all, and
who would not wish, she said, to see her son an illustrious dunce, put
this book into my hands almost when I was a child at the breast. It has
been like my conscience, and has whispered in my ear many good
suggestions and maxims for my conduct and the government of my affairs."
The English Plutarch is written on the earth's face. Its battles have
named the lands and seas of all the world; but, as was said of English
piety, from Harold to Cromwell, from the first Conqueror to Wellington,
from the Black Prince to Gordon, English daring--the strength of the
yeoman, the breath of the noble--is of one stock. Race lasts; those who
are born in the eyrie find eagles' food. This has planted iron
resolution and all-hazarding courage in epic-drama and battle-ode, and,
as in the old riddle, feeds on what it fed. English literature is brave,
martial, and brings forth men-children. It has the clarion strength of
empire; like Taillefer at Hastings, Drayton and Tennyson still lead the
charge at Agincourt and Balaclava. As Shakespeare's Henry was nourished,
so was the English spirit in all ages bred. This integrity of English
nurture, seen in these two great modes of life turned toward God in the
soul and toward the world in action, is as plainly to be discerned in
details as in these generalities; and to state only one other broad
aspect of the facts governing the continuity of literary genius in the
English, but one that goes to the foundations, the condition that both
vivifies and controls that genius in law, metaphysics, science, in all
political writing, whether history, theory, or discussion, as well as in
the creative and artistic modes of its development, is freedom. The
freedom of England, which is the parent of its greatness in all ways, is
as old in the race as fear of God and love of peril; and, through its
manifold and primary operation in English nurture, is the true continuer
of its literature.
Public-domain text, read in full here on John Shaqi.
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